Akiechi Weimei, Magical Mangrove(2024)

THE MACHINE(he)

Swing con Son(es)

Music documentary by director Rafael Marziano Tinoco from Venezuela

Breakpoint: A Counter History of Progress(fr)

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

We're All Plastic People Now(en)

In an era of throw-away ease, convenience has cost us our well-being. Plastics have been found inside our bodies— in our colons, our brains, and even in mothers’ developing wombs. Scientists around the country are sounding the alarm, but without public buy-in, there is little that can be done. How much evidence do we need before we decide to take action?

Megalopolis facing sea level rise(fr)

The heart of Caracas(es)

Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.

Topsy-Turvy(bn)

As Cyclone Remal approached, we arrived in Debpur village of Dhankhali Upazila, Bangladesh. What struck us immediately was the stark contrast between the official warnings of impending devastation and the villagers' apparent lack of preparedness. Over the following days, amidst the unfolding chaos, we documented the lives of individuals as they grappled with the imminent threat of destruction. The film captures the overbearing anxiety that grips entire communities in the face of an approaching cyclone. Through intimate encounters, and candid interviews, we witness firsthand the resilience and fear of those directly in Remal's path. Their voices echo the overwhelming power of nature and the human spirit in adversity.

Venezuela Jungle Jam(en)

The latest film from the Belgian climbing team, following Asgard Jamming and Vertical Sailing Greenland, Venezuela Jungle Jam features Sean Villanueva O'Driscoll, Nico Favresse, Stephane Hanssens and Jean-Louis Wertz as they attempt a new free climb on the overhanging 500m wall of Amuri Tepul in the Venezuelan Jungle.

Inside Chernobyl's Mega Tomb(en)

Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.

I Am More Dangerous Dead(en)

A poetic tribute to writer, poet and environmental activist, Ken Saro-Wiwa, who was executed alongside eight other activists for opposing the environmental damage done in their oil-rich homeland, Ogoni.

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Venezuela(en)

Presenting an overview of Venezuela's culture, economy and geography. Visits two contrasting families of Caracas, depicting the cosmopolitan life in a modern city and the harsh existence of the farmer working on land that has had no rain in four years.

River of Gold(en)

Narrated by Academy Award winners Sissy Spacek and Herbie Hancock, River of Gold is the disturbing account of a clandestine journey into Peru's Amazon rainforest to uncover the savage unraveling of pristine jungle. What will be the fate of this critical region of priceless biodiversity as these extraordinarily beautiful forests are turned into a hellish wasteland?

Herbicide Trials(en)

In 1983, fifteen Cape Breton, Nova Scotia, landowners went to court to stop the spraying of herbicides by the local subsidiary of a Swedish multinational on forests adjacent to their properties. They found that the testimony of scientists and the support of public opinion, both here and abroad, were not enough to win their case. The film shows their ordeal and the landmark Sydney trial. Concerns raised included potential conflict-of-interest situations where a government must protect citizens' health while supporting certain kinds of industry; the relative value of the political and judicial processes in mediating social problems; and the need for a public forum for debating environmental issues. The film contains outstanding footage from chemical-industry films of the 1950s and recent material about Vietnam veterans affected by Agent Orange.

The Battle At Our Shores(en)

The Battle At Our Shores is a documentary following over a period of a year the ground swell of opposition that has arisen over the first inshore/coastal oil and gas exploration licenses to be given out in Canada in the Province of Nova Scotia. Most other jurisdictions have put moratoriums on inshore marine oil and gas activity. This documentary tracks this ecological and political controversy, which pits citizens groups against their governments and industry. The Battle At Our Shores looks at citizen activism, governments that ignore democracy, and the fight against corporate globalism at a local level.

Las encantadas(es)

Protecting Paradise: The Story of Niue(en)

The documentary follows leaders and community members from the tropical Pacific island nation who are making bold changes to move the needle on marine protection. With a population of under 2,000 people and a marine reserve covering 40% of its waters, Niue has demonstrated the ways in which traditional knowledge and contemporary science can live in harmony for the benefit of people and the planet.

Beauty Factory(en)

From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.

Vamos Pal Matiné(es)

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

Who Wants Tuki?(es)

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.