Antonin Dvořák's 'Symphony No. 9 in E Minor'(2021)

Man of the Woods(it)

At night, in the dark recesses of the woods, a male cellist lures in viewers with a performance of Bach's "Cello Suite No. 1 in G Major." It stars Paul McCoy Drutz-Hannahs, a professional cellist with the Johns Hopkins University Orchestra.

Aida - Arena di Verona(it)

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

Brahms: Complete Symphonies(en)

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

Waldbühne 2009 | Russian Rhythms(de)

Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft

Waldbühne 2010 | An Evening with Renée Fleming(de)

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

Waldbühne 2011: Fellini, Jazz & Co(de)

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft

Siapa Dia(id)

Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.

Bruckner: Symphony No. 6(en)

Anton Bruckner’s 6th Symphony was written between 1879 and 1881: a very happy time in his life. Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim. Anton Bruckner Symphony No. 6 in A major (original version) Daniel Barenboim, Conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 22 June 2010

Bruckner: Symphony No. 8(en)

“Clarity was one thing that made this performance a marvel. Another was the flexibility of Barenboim’s speeds…. The flexibility of Barenboim’s tempi meant that Bruckner’s charm – an often overlooked aspect of his genius – shone through, especially in the genial Trio.” (The Telegraph) Bruckner’s 8th is the last symphony completed by the Austrian composer. Many of his contemporaries regarded the symphony as “the pinnacle of 19th century music”. Even today, this monumental work fascinates listeners with its virtuoso orchestral technique, its immensity of sound, and its inexhaustible richness of detail. Symphony No. 8 in C minor (second version 1887-90, Robert Haas Edition) Daniel Barenboim, Conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 26 June 2010

An Evening with Glen Campbell(en)

Captured at his peak in 1977, this extraordinary live performance at London’s Royal Festival Hall showcases Glen Campbell in the company of his talented band and the Royal Philharmonic Orchestra. Featuring new orchestral arrangements of his iconic hits, including Rhinestone Cowboy, Southern Nights, By the Time I Get to Phoenix, Wichita Lineman, and Galveston, the concert also includes a stunning Beach Boys medley, a nod to Campbell's time as Brian Wilson’s tour replacement in 1965. As a special treat, Jimmy Webb—who wrote Phoenix, Wichita Lineman, and Galveston—joins Campbell on stage, creating an unforgettable performance filled with pure musical bliss.

Beethoven Piano Sonatas Vol. 1(en)

Beethoven Piano Sonatas Vol. 2(en)

Beethoven Piano Sonatas Vol. 3(en)

Simon Rattle: The Making of a Maestro(en)

This documentary portrait, the first television biography of Rattle for 15 years, follows him through an extraordinary year of concerts, oratorios and opera with five different orchestras. We see his rigorous preparation and experience his irresistible dynamism in rehearsal and performance. We will watch him at work with the Berliner Philharmoniker, often described as the world’s leading orchestra. We will also see him with the Orchestra Of The Age Of Enlightenment and with the City of Birmingham Symphony Orchestra. We see him preparing a score for performance, share his experiences with the players and gain privileged insights into the day-to-day life of a conductor

Inside Karajan(en)

Very few people really knew Herbert von Karajan. The conductor gave access to his private life only a little circle of strictly loyal people who kept their secrets even long after the maestro’s death. This documentary for the first time shows in the whole dimension the real man Karajan: not only the image of a dandy that he himself had shown to the public, but the unfiltered image of his personality. Newly discovered original film footage from the inner circle shows Karajan’s private life like it really was.

Beethoven's Nine: Ode to Humanity(en)

Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.

Tanglewood: So you want to be a conductor(en)

In 1985, cameras take a look inside the Berkshire Music Center, the most prominent pre-professional classical music academy in the US. Seiji Ozawa, Leonard Slatkin and others work with the next generation younger conducting talent.

High Fidelity: The Adventures of the Guarneri String Quartet(en)

Relationships, rehearsals, performances, hobbies, and family life of the members of the Guarneri String Quartet.

Boulez-Répons(xx)

In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.

Deception(en)

After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.