Alt & Neu: Life Inside A Scene(2025)

It Came From Aquarius Records(en)

IT CAME FROM AQUARIUS RECORDS tells the story about the San Francisco based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses - most memorably with their infamous bi-weekly, college essay-length, new-release lists. Six years in the making, interviewing collectors, musicians, and store owners, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this, helped in no part by the changing city around them.

Flipside(en)

Chris Wilcha helped adapt This American Life to television. His new documentary embodies the spirit of that show as he tries to save a New Jersey record store, in this comic yet deeply moving reflection on opportunities lost and gained.

Beyond the Noise.(en)

An exploration into the benefits of music in uk youth culture. Understanding the comfort it can provide.

Sound It Out(en)

A portrait of the last surviving vinyl record shop in Teesside, North East England, at a time when independent record shops were closing in the UK at a rate of one every three days. A distinctive, funny and intimate film about men, the North and the irreplaceable role music plays in our lives. High Fidelity with a Northern Accent.

I Need That Record!(en)

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

High Fidelity(en)

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

Clocking The T(en)

Dave is a professional internet troll who lies for a living. Candace works in human resources at a blood lab with a bipolar boss. In this modern spin on the romantic comedy, they meet online and circle the airport of their relationship refusing to land. Together they discover it's hard to hug someone when you're keeping them at arm's length.

Pretty in Pink(en)

Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.

Empire Records(en)

The employees of an independent music store learn about each other as they try anything to stop the store being absorbed by a large chain.

Uuno Turhapuro(fi)

Uuno goes with his wife to spend summer holiday to their villa in country, studies playing of the violin in a correspondence course and constructs an own violin with do-it-yourself-method, but quits his career when he perceives that takes his free time too much and comes back to live the life "in the shadow of a fridge". In the start scene of film a priest (Ere Kokkonen as voice) says in the Uuno's weddings that his complete name is Uuno Eero Turhapuro, whereas it's in the all later Uuno-films Uuno Daavid Goljat Turhapuro.

The Golden Disc(en)

The Lucky Charm coffee shop adds a recording studio and record shop.

A Wife's Nightmare(en)

Liz, just returned home after a mental breakdown, has to welcome a relative stranger into her home when Caitlin, a young, vivacious woman, claims to be her husband's daughter.

The Spin(en)

A struggling record store owner travels down south to Cork with his best friend in a bid to save his shop from closure.

Christmas Bloody Christmas(en)

It's Christmas Eve and Tori just wants to get drunk and party, but when a robotic Santa Claus at a nearby toy store goes haywire and begins a rampant killing spree through her small town, she's forced into a battle for survival.

The Madness in the Grooves(en)

Small town record store owner Clark finds himself losing his grip on reality when a mysterious record opens his eyes up to an ancient evil beyond human comprehension.

Twelve Conversations(it)

Silent Introduction(en)

A pretentious record store clerk must defend her music taste after a finance bro tries to purchase a rare used record.

Empire of Madness(en)

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Still Here(es)

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.

Junge Leute(de)

A documentary about young people just starting their higher education and their professional life.