Talking About Visibility(2021)

CodeSwitching(en)

CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.

Straight Stories, Part 1(fr)

Somewhere between documentary and fiction, this is an essay on questions of territory and human displacements made during an excursion from southern Spain to northern Morocco. Travelling on the Mediterranean rim, we hear immigrants tell their stories.

Jordan River Anderson, The Messenger(en)

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

A Tale of Two Kitchens(en)

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

Cycle of the Seasons(en)

Thirst overcomes the hordes of Wildebeest and Zebra moving through Kenya's Masai Mara game reserve on their spectacular annual migration. With the cycle of the seasons comes the dry months, the water of the marsh receded. Now the residents of the marsh face a time of hardship, food will be scarce, until the next rains fall.

Aka Dan(en)

YouTube musician and Korean American adoptee Dan Matthews travels to South Korea to perform and reunite with his biological family, including a long lost twin he never knew he had.

Parrot at the Milk Bar(es)

A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.

Viramundo(pt)

Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.

Don't You Worry, It Will Probably Pass(sv)

Three Swedish teenagers express their thoughts about bi- and homosexuality while navigating questions of identity, self-acceptance, and societal expectations. Through personal stories and reflections, the film explores their struggles, hopes, and the challenges of growing up as LGBTQ+ youth in Sweden.

Scars(fr)

We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.

The Valley(fr)

As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.

Le point de vue du lion(fr)

Who are we? Psychoanalysis of Ukrainians(uk)

Southern Border(es)

On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

In Between(sq)

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

Who's Afraid of Kathy Acker?(en)

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.

Synonymous With(en)

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Contained Mobility(en)

Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being of this place--nor of any other really--but of existing in a condition of permanent not-belonging, of juridical non-existence. He comes to signify the itinerant body, bound to string along a chain of territories, never reaching a final destination. Probing the protocols of access time and again, he moves through non-civil places, waits for status in off-social spaces, only to remain suspended in the post-humanist lapse. What used to be a state of temporary exemption--survival in the fluid time-space of legal deferral--has slowly consolidated into the prime mode of migratory subsistence. The site of this existence is connected but segregated; it is the world system of contained mobility. (Video Data Bank)

X-Mission(en)

X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones. Taking the Palestinian refugee camp as a case in point, the video engages with the different discourses — legal, symbolic, urban, historical — that give meaning to this exceptional space.

The Wildebeest Migration: Nature's Greatest Journey(en)

Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.