Howl(2008)

Chicago 10(en)

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

William S. Burroughs Birthday Bash(en)

To celebrate the 100th birthday of America's most audacious writer, William S. Burroughs, Chicago Humanities Festival brings together a motley crew of poets, writers, and musicians. William Seward Burroughs (1914 - 1997) was an American writer and visual artist. He was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs's needs took him across the United States, down into Mexico, to Europe and beyond. On his travels, he meets up with various members of the underground drug and "outcast" cultures.

Living on the Edge: The Poetic Works of Gérald Leblanc(fr)

A child of the Beat Generation, Gérald Leblanc conjoined urban-ness and American-ness, wandering and belonging, far beyond the boundaries of taboo. In so doing, he helped propel Acadia into the modern era.

A Line a Day Must Be Enough!(en)

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.

Odd Børretzen: Mer enn helt all right(no)

A portrait of Norwegian poet Odd Børretzen in his own words, featuring musical highlights from Børretzen's work with musicians Alf Cranner and Lars Martin Myhre.

Sing! Fight! Sing! Fight! From LeRoi to Amiri(en)

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

The Honey Bee(en)

Beat poem parable to black youth.

Pull My Daisy(en)

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Tinta Film(es)

Big Sur(en)

Big Sur is a film adaptation of the Jack Kerouac autobiographical novel of the same name.

The Subterraneans(en)

A disillusioned writer explores the subterranean depths of San Francisco's North Beach district.

Strange(en)

An immersive beat poem written and created for the misunderstood, the marginalized, and the magical.

Black Lodge(en)

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

Beat Angel(en)

Jack Kerouac returns to earth as an angel with the goal of changing the life of a struggling writer.

The Wanted 18(en)

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared "a threat to the national security of the state of Israel."

Chop My Money(en)

A day in the life of three street kids in the Eastern Congo. Featuring music by Dirty Beaches.

Blessed Blessed Oblivion(ar)

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.

Ariadne(nl)

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

Hawaii: A Voice for Sovereignty(en)

The goal of Hawaii, a Voice for Sovereignty is to raise awareness of the issues that threaten the Hawaiians ancient and once-environmentally-sustainable culture. It is an epic documentary about Hawaiian spirituality and the peoples close connection to the land. It focuses on the complicated social, economic and ecological issues that have arisen in Hawaii since the overthrow of Queen Liliuokalani by the United States in 1893. For Hawaiians, sovereignty is the legal, political and moral right to live on and care for the land; build and grow a sustainable economy; protect natural resources; practice spiritual and cultural traditions; honor their ancestral past; and care for family and community. The film is in the voice of native Hawaiian people who address the issues they continue to face in their long struggle to regain sovereignty over their rights and the native lands lost after the U.S. businessmen and military overthrew the Kingdom of Hawaii.

How Bizarre: The Story of an Otara Millionaire(en)

How Bizarre starts with Pauly at the height of his fame, appearing twice on the UK music show “Top of the Pops”, sharing the stage with Cher, the Spice Girls, Bryan Adams, Back Street Boys, Sheryl Crow and other ‘90s music icons, and then rewinds to show his rise from the mean streets of Otara to musical stardom.