Donoso por Donoso(NaN)

Pod hasprunskou slivkou(sk)

I Am Joke, Said Joke(nl)

Documentary about the Dutch author, illustrator and performer Joke van Leeuwen, who has won various awards for her literature for children which sometimes uses a quest as a theme.

Moa Martinson - Mother of the Country(sv)

Documentary about Moa Martinson.

Im Märchenwald der Gebrüder Grimm(de)

They have collected legends and fairy tales that have been passed down from generation to generation, albeit with slight changes and added meanings always intended for a specific time. Tales of all the enchanted characters, the wicked witches and the knights in shining armour. Venture into the woods with us and experience amazing things. You can meet evil or find your fortune. But what is it that makes the forest so terrifyingly appealing? In all the old tales and fables there is always at least a grain of truth - a reflection of reality. We all know the forest. Yet it guards its secrets well and will not give anything away. More than two hundred years ago, it enchanted two brothers. They told each other fantastic stories from the past, which they saw as symbols of their present. In Germany, where the brothers Jacob and Wilhelm Grimm grew up, as throughout central Europe, there were once dense and vast forests and woods that surrounded villages and towns...

Flannery(en)

Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before. Featuring never-before-seen archival footage, newly discovered journals, and interviews with Mary Karr, Tommy Lee Jones, Hilton Als, and more.

My Grandmother's Mother Told My Grandmother(es)

Gathered by a theater company, a small town in Chile called Villa Alegre, looks deep into its origins and myths to tell their own history through a play.

The Perfumed Garden(ar)

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

Milan Kundera: From the Joke to Insignificance(cs)

The brilliant Czech writer Milan Kundera has not given an interview in thirty years; nor does he appear in public. How did he become a legendary author? What is so unique about his books?

Thomas Hardy: Fate, Exclusion and Tragedy(en)

A portrait of the British writer Thomas Hardy (1840-1928), who, although he had radical instincts, hated hypocrisy, was of great poetic brilliance, had a tragic perception of life and a calm outward appearance, was at heart a man of seething and somber darkness.

Who's Afraid of Kathy Acker?(en)

Documentary tracing the extreme life of outlaw writer, performance artist and punk icon, Kathy Acker. Through animation, archival footage, interviews and dramatic reenactments, director Barbara Caspar explores Acker's colorful history, from her well-heeled upbringing to her role as the scribe of society's fringe.

Margaret Atwood: A Word After a Word After a Word Is Power(en)

The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

Escape to Life: The Erika and Klaus Mann Story(en)

This documentary contains dramatized episodes about the lives of Erika and Klaus Mann, the brilliant children of German writer Thomas Mann.

Gerais da Pedra(pt)

The Last Bookshop of The World(fi)

The documentary is a true story of four real intellectual Europeans from different cultures who are worried about the decline of literature’s life and the destiny of the street level bookshops in every country. That is why they have a mission to save symbolically “the world's last quality books”.

Septembre Chilien(fr)

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

The Night(en)

An installation film that consists of a six-hour-long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett, and Chief Seattle.

Hubert Krejčí – Smrt divadlu!(cs)

Medailón Janka Alexyho(sk)

Wuthering Heights: Love, Hate and Vengeance(fr)

In 1847, British writer Emily Brontë (1818-48), perhaps the most enigmatic of the three Brontë sisters, published her novel Wuthering Heights, a dark romance set in the desolation of the moors, a unique work of early Victorian literature that stunned contemporary critics.

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.