God's eye stills taken by Maxym Dondyuk of Ukrainian countryside and urban landscapes after the 2022 Russian invasion.
God's eye stills taken by Maxym Dondyuk of Ukrainian countryside and urban landscapes after the 2022 Russian invasion.
2024-01-31
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Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.
From the Revolution of Dignity to full-scale war: successful Ukrainian film producers took up arms to defend the country and cameras to record the gruesome reality. From the fragments of memories and their own film archive, veterans Pavlo and Yurko assemble a mosaic of the causes and consequences of today's Russian-Ukrainian war - from the end of 2013 to today. The authors went to the front as volunteers, visited the hotspots of Donbas, created the home-made drone "Furia", which is now named after one of the best air reconnaissance units. And all this time they continued to create in order to show the world the truth about the terrible war that became possible in the 21st century.
One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.
A comprehensive chronicle of the consequences of Russia's invasion of Ukraine in 2022. How citizens live in wartime, how violence and death condition daily life: from schools in bomb shelters to rehabilitation centers for the maimed; wounds and silences, gestures and words.
A documentary film-project by Dmytro Komarov. He was the first journalist to witness and film the horrors of the just-liberated towns of Bucha, Irpin and Hostomel. He saw the first emotions of people immediately after the de-occupation of Kyiv region, Kharkiv region, and Kherson region. The documentary is the author's view of the war from angles that you won't see in the news. Unique, rare, exclusive comments from those whose hands and minds are shaping our future victory. The main heroes of documentary are both ordinary Ukrainians who heroically show their strength and power every day for a year and high-ranking officials such as Minister of Defense of Ukraine Oleksiy Reznikov, Chief of the General Staff of the Armed Forces of Ukraine Kyrylo Budanov, Major General Oleksandr Syrskyi, Commander of the Air Force of the Armed Forces of Ukraine Lieutenant General Mykola Oleshchuk. Initially, "Year" was a series of journalistic reports, later they were edited into a two-part film.
Due to the full-scale Russian invasion of Ukraine, tens of thousands of Ukrainians, fleeing the war, found refuge in Uzhhorod in western Ukraine. The local director decides to attract non-professional actors -displaced people - in bringing his dream into life - to stage the King Lear play. The theatrical performance helps them find themselves and their purpose in a new world where there is war, and the director finds an answer to the eternal question of what love is and why this world should not perish.
Under intense fire from the Russian forces, Ukrainian civilians-turned-soldiers document their first experiences on the battlefield using smartphones and cameras to show the do-or-die reality of war.
How do you cover a war in your own country? We spent two years with journalists from Ukraine's public broadcaster and saw how Russia's invasion transformed their profession and changed their beliefs. Broadcast on 5/4/2024
A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.
The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.
The War Diary is a contemporary road movie that confronts history with the current reality of Russia, Ukraine, Armenia and Georgia. An extraordinary document leads Hakob Melkonyan to undertake the journey of a lifetime:
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
In the autumn of 2014, in the ATO zone, an intelligence group headed by experienced captain Anton Saienko (called by nickname "Banderas") tries to prevent sabotage and neutralize the Russian saboteur.
A love story set in modern day, post-revolutionary Ukraine between Julia, an idealistic student activist, and a wounded soldier fresh from the warfront.
Animals in War is a poignant anthology film inspired by true stories of animals impacted by the war in Ukraine. A collaboration between Ukrainian and international artists — including actor and activist Sean Penn — the film is a haunting yet captivating call for global awareness and empathy.
In January 2025, experimental jazz duo Myshko Birchenko and Yevhen Puhachov, members of Hyphen Dash, travelled to Kramatorsk without any pre-made drafts or demo recordings to use music as a vessel to capture the emotions present in a place on the edge of a battle for survival and explore the therapeutic nature of music and improvisation in the brutal reality of war. They packed all the equipment into a car, drove 700 kilometres from Kyiv to the frontline city Kramatorsk, and turned one of many basements which serve as shelters into a makeshift recording studio. As a result, they recorded over 300 minutes of music, which were eventually distilled into a 90-minute album.
Courage, love and loss. Young people risk their lives with self-funded missions to rescue families in Ukraine’s frontline towns. Told through their own words and unique first-person footage.
Film made by activists who lived for a month in the Plaça de Catalunya in Barcelona after the start of a full-scale Russian invasion of Ukraine in 2022.
Kordon tells the story of four ordinary women who, on the border with Ukraine in a station on the outskirts of a Zahony country that seems to stand still in time, do something extraordinary to help and give hope to a people under siege. A moving portrait of female resistance, courage and solidarity.
A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are