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It's 1905 when 12 year old Sophia plays all by herself in her big, creepy house with only four handmade dolls as friends. When her abusive father has finally had enough, he forces her to bury them in the backyard. But, after she "slips" and breaks her neck, dad buries her right along with the dolls. 100 years later, the Fillbrook family moves into the very same house.
Cliff Barlowe (Thomas Slater), an aspiring author plagued by arrogance and desire for recognition, takes on a commission to write a book about an old hall in a small British village and the family that lived there. Upon his arrival, he meets Eliza Cromwell (Anique Taylor), a young woman willing to give him all the information he needs - for a dark price.
A scientist sets up another garden of Eden where he imprisons his creations and unleashes his dark fantasies on them.
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
When a drug to replicate plant cells creates a sentient form of flower, the planet is over taken by flora and humankind is depleted. A Chinese task force, a widowed father and his young daughter fight to survive in a mission to inject an antidote to the core of the plants to reverse their growth.
82-year-old German exile Mrs. Klinsman lives in a quiet cul de sac at the far end of a failed housing development. Her pride and joy is the extensive gnome garden that surrounds her house. Trouble starts however when Bo, Will and Pam move into the house next door (to run a meth factory). Pam is the first to realize that some of Mrs. Klinsman's gnomes are alive - and hate humans. But the harder she tries to warn Bo and Will that they should leave, the more dug in (and ruthlessly antagonistic) Bo and Will become toward Mrs. Klinsman and the Johnson family (Al, Doreen and their autistic young son Henry) the only other neighbors on the cul de sac. Then, one night, Bo and Will cross the line: Bo kills Mrs. Klinsman. And the gnomes go on a murderous rampage of epic proportions - where no one and nothing is safe.
How and why what we eat is the cause of the chronic diseases that are killing us, and changing what we eat can save our lives one bite at a time.
The three protagonists listen to a storyteller recount the creation as well as the Fall. At the same time, they learn their own lessons in honesty after tricking a gardener into giving them fruit for free.
Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating – and learns a lesson about family himself.
What would you do if your husband turned your house into a jungle? This is a short film focusing around mental entrapment in an emotionally abusive relationship, using plants as a metaphor.
Embark yourself to embrace temptation with Anna Henderson, a blogger getting out of town to work on her latest article on sexuality. Alone in her mountain retreat she finds out much about her own desires, as it becomes harder and harder to differentiate dream from reality.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Over the course of an evening, young couple Lauren and Jim tend to the daily routines that support and sustain them.
This is the story of a vegetable garden, from the first seeds to the harvest. But this garden is different, because here the gardener has decided to banish pesticides and other chemicals, and to be helped only by discreet workers, the insects. As we dive into the heart of this plant kingdom, we discover thousands of tiny lives that organize themselves as in a micro-society: decomposing insects, recyclers, pollinators, the workers of the garden work to maintain a fragile balance within the vegetable garden. As the plants grow and begin to produce their first vegetables, the incredible interactions between insects and plants help protect the future harvest. But it is also their personal stories that punctuate the life of the garden. Between parades, mutual aid and attempted putsch, the story of the vegetable garden thus takes the form of a true nature tale.
When the young orphan boy James spills a magic bag of crocodile tongues, he finds himself in possession of a giant peach that flies him away to strange lands.