The film follows two young men from the Côte-Nord in Quebec who fall on hard times due to an economic crisis raging in the region. Between staging and song, the movie deals with the importance of work in the construction of identity.
The film follows two young men from the Côte-Nord in Quebec who fall on hard times due to an economic crisis raging in the region. Between staging and song, the movie deals with the importance of work in the construction of identity.
1962-06-06
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For over thirty summers, Mrs. Fife, an exceptional woman of our time, lived in the village of Baie-Johan-Beetz, where her great gentleness and generosity left their mark on people. This documentary is therefore intended as a tribute: it brings together both numerous testimonies and a collection of archival films and photos, signed by Mary Fife.
North of the 51st parallel, where the dense boreal forest opens onto an arctic islet, the snow-capped peaks of the Uapishka Mountains watch over the Nitassinan of Pessamit. In the heart of winter, a group of Innu and non-Innu adventurers attempt to cross this vast mountain range on snowshoes, completely independently. Faced with the vastness of the territory, the rigors of the northern climate and the impetuous breath of the tundra, they discover each other in a different way, form friendships and unite to better chart their course. Over the kilometres, the adventure reveals a space for meeting, sharing and reconciliation.
Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up. As the hours lenghten on the road 138, the young women reflect on the quest for identity that accompanies the regional exodus and reveals a social landscape decentralized from the metropolises.
Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.
In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community.
Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.
In the 1970s, young people from Baie-Comeau – Hauterive sought to take their place in an industrial society dedicated to work and consumption. Often left to their own devices while waiting to enter the job market, many of them seek their paths in artistic creation. The feast of St. John 74 gives them an opportunity to shout their existence loud and clear and to shake up the existing order. We follow them here in their adventure and their reality.
At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.
Growing up in a blue-collar Hamilton neighbourhood filled with factory workers and nuclear families, Tom Wilson knew he was different. His dad George was a blind war veteran—stoic and reserved—and his mother Bunny a very private and protective housewife. Tom learned to express himself through music, successfully getting a record deal and achieving fame and its trappings with his 90s band Junkhouse and later Blackie and the Rodeo Kings. Through all his achievements, his parents kept a secret from their son, one he would not uncover until they both died. After years of hard living, revelations about his family led him on a path to connect with his true identity. Based on his memoir, Beautiful Scars shares Tom's remarkable gifts as an artist and storyteller as he learns about his Mohawk heritage and embarks on a healing journey that reflects on his past and present self.
‘Our Nature, the Movie’ is an ambitious nature documentary about Belgian nature, full of wonderful stories about well-known and little-known animals that amaze people and increase their love and respect for our nature.
The story of how a tiny, broke Silicon Valley startup slew giants of the movie rental world, warded off Amazon and forced movie making and distribution into the digital age.
Documentary feature that reveals the intimacy of Luana Muniz, Queen of Lapa in Rio de Janeiro, actress divided between prostitution, LGBT militancy and shows in cabarets. Best National Feature Film Award at the Rio Gender & Sexuality Film Festival.
A documentary about the major events of the first fifty years of the Twentieth Century.
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
New Horizons is the first mission to Pluto and the Kuiper Belt of rocky, icy objects beyond. Principal Investigator Alan Stern leads a mission team that includes the Johns Hopkins University Applied Physics Laboratory, Southwest Research Institute, Ball Aerospace Corporation, the Boeing Company, NASA Goddard Space Flight Center, NASA Jet Propulsion Laboratory, Stanford University, KinetX, Inc., Lockheed Martin Corporation, University of Colorado, the U.S. Department of Energy, and a number of other firms, NASA centers and university partners.