Sir John Falstaff
Ms. Fluth
Mr. Fluth
Ms. Reich
Mr. Reich
Anna Reich
Anna Reich (singing voice)
Fenton
Spärlich
Dr. Cajus
1983-01-01
0
10.0A detailed account of the Zini-Malkov story, being told by no other than themselves. A mockumentary that focuses on their relationship, success and creativity. Underground Ben Zini teams up with the rising pop-star Taylor Malkov in order to perform the show of their lives.
6.6Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.
0.0Becoming a wife of a minister, Zivka changes her former way of life and becomes a lady. However, her fashionable way of life is of short duration, since her husband is forced to resign after a being involved in a scandal. Based on a highly popular Serbian comedy novel by Branislav Nusic.
7.1Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
7.6On the first day at his new school, Cameron instantly falls for Bianca, the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out, too. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad boy with a nasty reputation of his own.
6.5In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.
0.0Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
5.0The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.
0.0Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.
Eugen Suchoň's opera Svätopluk returns to the stage of the Slovak National Theatre Opera in 2023. Since 1960, when it had its world premiere, this is the fifth production of this musical drama at the Slovak National Theatre. It returns as an eloquent witness of Slovak operatic history, as a bearer of a message, as an impulse for reflection and reassessment of historical attitudes in a broader context.
6.5Aging professor of mathematics completes his life's work, a research project that has taken him decades, and climbs up from the boiler room (his study) and back to real life. He can hardly recognize his rebellious teenage kids and materialistic wife who hardly seem to notice his existence. The only person who is interested in the professor's work is Marja, his son's girlfriend and freshman at the university. An innocent infatuation flares up between the old man and the young girl, while the professor's family is only interested in the prize money awarded to the professor by an international jury for his academic achievements.
0.0The definitive version of this rare opera by Wolfgang Amadeus Mozart. The costume and set design is truly visionary and other worldly and gives a convincing insight into what staged operas must have looked like during the Baroque and Rococo period. Singers are all excellent and well cast in their respective roles. One of the most thrilling things I have seen, just wish I could see this live.
6.7When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?
6.2A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.
6.0Take a perfect cast, a great conductor and a groundbreaking staging in-out makes a 'Tristan' for eternity. The 1983 performance in Bayreuth was a great moment for the world of opera. The ensemble performance of René Kollo, Johanna Meier and Matti Salminen with, then as now the Wagner admirer, Daniel Barenboim conducting the Bayreuth orchestra inspired singers and instrumentalists to peak performance. Jean-Pierre Ponnelle created a dream-beautiful stage.
0.0Evan Hansen, a high schooler with social anxiety, unintentionally gets caught up in a lie after the family of a classmate who committed suicide mistakes one of Hansen’s letters for their son’s suicide note.
7.0A gay cabaret owner and his drag queen partner agree to put up a false heterosexual front so that their son can introduce them to his fiancée's conservative parents.
4.0This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
0.0Can Professor Higgins transform flower-girl Eliza Dolittle into a great lady?