
Druids, Romans and Norman knights return to Richmond for the 600th anniversary of the Yorkshire town's charter.

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.
A documentary about the making of Joe Cash's last directorial feature film Carnal Redemption, showcasing the behind the scenes, the preproduction hell of the film and the mayhem which goes into a Joe Cash film.
A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.
5.0Made in 1896 during the flat racing season (March-October) at Stockton Racecourse, a former horse racing venue in Thornaby-on-Tees, North Yorkshire, UK. Several horses are ridden by jockeys past the camera. Many men in flat caps from the crowd run onto the course and run past the camera at the end of the race. Two policemen follow the men.
8.0"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.
7.0A documentary portrait of sideshow impresario Wally Shufflebottom, Jr.
4.6A portrait of five men competing in the Miss Gay America pageant.
0.0Master baker, owner of Duffryn Bakery, Onllwyn, turns his hand to film-making and captures community events in glorious colour.
0.0A portrait of sculptor Barbara Hepworth revisiting the Yorkshire landscapes that inspired her and her home studio in St Ives, Cornwall.
8.7Raised in an orthodox home, Amos Dov Silver dreams of becoming Prime Minister. But when the State continues to shun him, he soon finds unexpected solace in the velvety smoke of Marijuana. Spreading his new Torah, he establishes an online community using a mobile app called "TeleGrass" that turns into the largest marketplace for drugs in Israel, raising Silver to Messiah status. Through exclusive footage of Silver, his family and his partners’ investigations, as well as secretly filmed footage of Silver in the Ukrainian prison, a polarizing portrayal of the man charged with heading a crime organization emerges. Champion of the people, or a lost soul corrupted by power?
7.3Farewell Ferris Wheel explores how the U.S. Carnival industry fights to keep itself alive by legally employing Mexican migrant workers with the controversial H-2B guestworker visa.
9.0A new documentary about strange phenonema and creature sightings around North and East Yorkshire in the UK. Filmed, written and produced by Paul Sinclair and Les Drake.
Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.
In Chicago’s Humboldt Park neighborhood, the Vida/Sida Cacica Pageant brings together members of the Puerto Rican community to celebrate its transgender participants. I Am The Queen follows Bianca, Julissa and Jolizza as they prepare for the pageant under the guidance of Ginger Valdez, an experienced transgender from the neighborhood. These trans women share stories of their transition, their relatives’ varying reactions, and how they find support from within the community. Family dynamics, cultural heritage, and personal identity all play a part in how the contestants face the daily struggle that comes from being true to themselves.
0.0Weird and wonderful characters entertain the crowds in this summer's day procession at Pwllheli, Gwynedd.
0.0A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.
0.0Documentary about the kolla people living in North Western Argentina.
0.0Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.
5.8Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
0.0Why does everyone want to take part in the Rottweiler Narrensprung, even though the costumes are expensive, the wooden masks uncomfortable and the jesters' rules extremely strict? Can Swabian language tests and video surveillance save the famous Rottweiler Fasnacht from the onslaught of out-of-town jesters? Fool master Christoph has his doubts. But under no circumstances are women allowed to dress up as horses. Filmmakers Sigrun Köhler and Wiltrud Baier (Böller und Brot) spent over three years filming in Rottweil. With their humorous and affectionate view, they take the viewer into an unknown world: a great archaic celebration of life and death in the middle of highly industrialized Germany.
