The Coast of Commerce(1962)

Upstage(en)

A documentary on Goshen High School, a school in Upstate New York, and its theater program which has a vast history spanning over 60 years. The film explores Paul Wright, the founder of Goshen's theater program, and the history of the program up until the cancellation of the 2020 musical of Beauty and the Beast. This film takes a deep dive into the process of how Goshen High School musicals are produced and what makes this theater program so special

A un lloc de la Ment(ca)

José Corbacho and Catalina Solivellas met thirty years ago sharing stages, dressing rooms, laughter and also some sadness. They they began to be aware of how therapeutic theater can be in difficult times. Years later, and inspired by Don Quixote, they decided to put together a free version of the chivalric novel, together with Mallorcan amateur actors and actresses with a mental health diagnosis. The documentary proposes a journey in which José, Catalina and the wonderful company created for the occasion, share stages, dressing rooms, laughter and also some tears.

Memories of journey(zh)

An essay film that interweaves meditations on travels with stories of journeys in China across a century: A student expedition into the heart of China in the 1930s, a young traveler's visions of the melancholic landscapes of his homeland, the narratives of movements in early Chinese silent films. Through these fragments of travelogues, the film explores the nature of consciousness in motion and what it means to use archives, images, and cinema as documentations as well as vehicles for travel.

Jacob's First Mandolin(en)

A friendly wager on a family fishing trip to Emerald Isle years ago resulted in one boy’s dream come true. That boy, all grown up, turned his dream come true into a career.

Watermen(en)

In 1965, on the Eastern Shore of the Chesapeake Bay, there was the last operating fleet of sailing work boats in the United States. Forty-odd "Skipjacks" were still used by Maryland watermen to dredge up oysters from the Bay. At that time, the fleet had survived because of a Maryland conservation law which prohibits the use of motor power for oyster dredging. The watermen traditionally marked the opening of each oystering season with a skipjack race which the Maryland State Tourist Board incorporated into its annual "Chesapeake Bay Appreciation Day."

When My Knife Strikes You(sh)

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

Andrei Bely: Armenia(ru)

The film is a cinematic interpretation of the travel book “Armenia” by Russian poet Andrei Bely.

Against the Tide(mr)

Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.

Fishball Revolution(en)

An asylum seeker from Hong Kong builds a new life for himself in Glasgow, using his passion for street food to maintain his cultural identity.

Noi siamo gli errori che permettono la vostra intelligenza(it)

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

As Long as the Rivers Run(en)

Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.

La casa, el lago y el trigo(es)

It documents the life of a couple of grandparents in their rural home, showing their connection with nature and their daily tasks. Through simple recordings, the director, their granddaughter, explores the importance of family ties.

First Ascent / Last Ascent(en)

Best friends Hazel Findlay and Maddy Cope journey to the rocky outer reaches of Mongolia, on a quixotic search for new trad routes.

Den sista båten(sv)

The wharf in Landskrona launches its final boat as the workers get ready for unemployment.

Koka(ru)

Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.

De l'assiette à l'océan(fr)

HAND. LINE. COD.(en)

In the coldest waters surrounding Newfoundland's rugged Fogo Island, "people of the fish"—traditional fishers—catch cod live by hand, one at a time, by hook and line. After a 20-year moratorium on North Atlantic cod, the stocks are returning. These fishers are leading a revolution in sustainability, taking their premium product directly to the commercial market for the first time. Travel with them from the early morning hours, spend time on the ocean, and witness the intricacies of a 500-year-old tradition that's making a comeback.

Waiting for Farajallah(ar)

We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.