Working for the Enemy(1997)

Hungarian Retro 2.(hu)

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

The Red Elvis(de)

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Un homme de Parole(fr)

Rok stalinské epochy(cs)

History is Marching(en)

History is Marching is a feature length documentary analysing the rise in tensions between major powers across the globe over the course of 2018. The film follows western history from 1945 to the present day, before looking at how capitalist society is today breaking down into the largest crisis in its history. Socialism or extinction?

Flower Power Ost - Die Blumenkinder des Sozialismus(de)

There was also flower power under socialism. From the late 1960s to the late 1980s, hippies from East Berlin, Warsaw, Prague and Budapest dreamed of conquering a world that was actually closed to them. They wore long hair, beards and parkas, squatted houses, lived in communes, listened to blues and rock 'n' roll - music was their philosophy and world view. The documentary looks back at the flower children of the East, for whom Woodstock was further away than the moon.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Roger & Me(en)

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

The Spectre of Marxism(en)

The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.

I Have Lived Many Lives(de)

A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.

Viva Venezuela: Fighting for Socialism(en)

We live in a world dominated by crisis, imperialist war and exploitation. We're told there is no alternative to cuts, privatisation, hunger and homelessness. The Bolivarian Revolution illustrates what can be achieved when governments and people working together, put human need before capitalist profits. Despite Chavez's death in 2013, the process is being built every day by President Maduro and millions of Venezuelans working to create a society built on collective socialist organisation and production. Venezuela provides an inspiring example of how the fight against austerity can develop into a fight for socialism. This film takes you on that journey through the barrios, universities and workplaces to meet the political activists, students and workers who are changing their future. Alongside the achievements of socialist Cuba, Venezuela shows that not only is another world possible, but this world is being built today in Latin America.

Lightning Over Braddock: A Rustbowl Fantasy(en)

Tony Buba, a film maker from Braddock, Pennsylvania, tells the story of his hometown's decline (along with the rest of the steel mill towns along the Monongahela River) while he dreams of making higher budget films. The picture documents, in a lighthearted way, the community anxiety and activism that accompanied the failure of the steel industry around Pittsburgh, Pennsylvania.

Right to Work March(en)

They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.

British Sounds(en)

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Do Útero Ao Túmulo(pt)

Nicaragua Part 1: Voyages(en)

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Nicaragua Part 2: The Making of a Nation(en)

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.

Nicaragua Part 3: In Their Time(en)

Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.

Nicaragua Part 4: Changes(en)

A portrait of a remote area in the rural north of Nicaragua facing difficulties with the revolutionary process. It follows Marlon Stuart, the regional FSLN political organiser, at the time of the 1984 elections.

Scenes For A Revolution(en)

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.