fifteen zero three nineteenth of january two thousand sixteen(2024)

The Dollhouse(en)

Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.

Papa(en)

This is Jon Alpert's portrait of his father's struggles with growing old and nearing the end of life.

My Village in Nunavik(en)

Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.

AIPOKAMORHC(en)

A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.

Goodbye, Hunter(fr)

For the Frigons, hunting is a family affair that forges and solidifies the bonds between generations. For many autumns, Louis-Henri has been tracking moose alongside Sasha, his grandson. On the other hand, at the dawn of his 81st birthday, old age reminds him that his career as a hunter is behind him. This year, Louis-Henri will not go hunting and Sasha will go without him for the first time. Goodbye, Hunter offers an intimate look at the moment of the passing of a long family tradition.

Atlantis(en)

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

The Ronda Rousey Story: Through My Father's Eyes(en)

This documentary chronicles former Olympian and UFC champion Ronda Rousey's ascent to iconic status in the world of mixed martial arts.

Chasing the dragon(fr)

Unexpected shelter made of prefabs in the heart of a burning city, the supervised drug consumption facility is open every day of the year. Cause some things know neither relief, nor rest, nor death. A place like no other where to come back, again and again, because here, they would make you feel, at last, you’re someone.

Nedam i regam(ca)

The Font Bover family goes to fetch water (they swim) and then water some trees. Available on YouTube.

Aitamaako'tamisskapi Natosi: Before the Sun(en)

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

LIKE(en)

LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?

Nos hommes dans l'Ouest(fr)

A different perspective on the exile and social impact of major projects such as oil sands mining in Alberta, Canada. These large-scale projects, based on economic growth, also have human costs that change the cultural face of the regions on a small or large scale. Over a six-month period, three families from the Acadian Peninsula in New Brunswick opened their doors and hearts to director Renée Blanchar and her team. A film about exile, choice of life, values, but especially absence; absence being probably the highest price to pay for each member of these families.

Shame/Fame(en)

Movie about modern privacy.

The Scorpions - A Home Movie(sr)

The Scorpions were a Serbian paramilitary unit that gained notoriety for their involvement in war crimes during the Yugoslav Wars of the 1990s. By using the statements of former members of the Scorpions unit, and the materials recorded by the unit itself in the course of its campaignes, this film demonstrates the functioning of a typical combat unit organized by the security service to do dirty jobs in the Balkan wars. Including their treatment of Bosnian Serbs; from refusing them water to the stomach-wrenching murders of six Bosnian Muslim men, some of whom were minors, in Srebrenica in July 1995. Archival footage used in this film includes materials of Humanitarian Law Center, International Criminal Tribunal for Former Yugoslavia.

As Iracemas(pt)

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

Under Construction(fi)

Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.

Seven Winters in Tehran(fa)

After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.

Koka(ru)

Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.

1,2,3... Barcelona!(xx)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.