Dukla - areál spomienok(1997)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Invisible Hero(pt)

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

Behind the Lens(en)

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

D-Day, 100 jours pour la liberté(fr)

Using restored, colorized archives and testimonies from all the players in this conflict, this documentary covers the hundred days of apocalyptic fighting that wrote History. June 1944, the Allies landed in Normandy. This odyssey was meticulously prepared for months. The construction of two artificial ports, the transport of Anglo-American troops, their training cost colossal efforts, and caused many cold sweats: the secret of D-Day almost came to light several times. The documentary reveals the inner workings of Operation Overlord, it also deciphers the military operations, and evokes the choices of the high command. Placed at human level, it retraces the fate of Norman civilians subjected to deadly bombings, the attitude of the Allied soldiers and their German adversaries, as well as the aspirations of the French population, torn between fear and hope.

The Fashion Side of Hollywood(en)

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Barbarossa: Hitler Turns East(hu)

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

El conserje(es)

Les Évadés du troisième Reich(fr)

Bataan Death March(en)

Within hours of the Japanese attack on Pearl Harbor, bombs rained down on U.S. and Filipino forces in the Philippines. After months of vicious fighting, Allied forces surrendered on the island only to be met with a brutal march to P.O.W. camps dotted across the islands. Thousands died on the marches, before reaching the P.O.W. camps where countless more died. The surrender of the Philippines, now almost forgotten in U.S. history, is commemorated in the Philippines every year.

One Second in Montreal(en)

A silent succession of black-and-white photographs of the city of Montreal.

The Street Performers(en)

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Dubaitjejer - betalt för att festa(sv)

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Rambling 'Round Radio Row #1(en)

Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.

Jimmy Dorsey and His Orchestra(en)

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

Three Sisters(he)

"Life has passed and we have achieved nothing" Thats's what Ester the youngest says. The eldest, Karola, keeps quite. Fruma, who is my mother, tries to write what she remembers. Three sisters in thier 70's, Holocaust survivors. More then 50 years have passed and still they can't talk of thier memories. This is a film about the trauma...

Breakdowns of 1938(en)

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Paparazzi(fr)

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

The Romance of Celluloid(en)

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

Begrijpt u nu waarom ik huil?(nl)

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.