An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.
Fifteen years after the smash, Tony-winning Broadway run of "Spring Awakening," the original cast and creative team reunite for a spectacular, one-night only reunion concert to benefit The Actors Fund. Chronicling their whirlwind journey back to the stage, this documentary follows the players as they reconnect and rediscover the beauty and timelessness of the hit musical.
Part concert footage, part fly-on-the-wall video documentary of the ups and downs of a road tour, Lamb of God: Killadelphia could easily entertain the most stubborn of metal haters with its lively peek at the band at work and play between shows. Whether dealing with rental truck breakdowns, show delays, radio interviews, in-store appearances, late arrivals of equipment, or dazzled fans, the members of Lamb of God and their handful of assistants keep their cool with fluent wit, easygoing camaraderie, and unabashed romanticism (meeting up with band members' spouses is one of the highlights of Killadelphia). Meanwhile, Lamb of God's grinding, apocalyptic wall of sound, especially singer Randy Blythe's croaking, monster vocals, whip a Philadelphia crowd into a hellbound fury. Special features include three music videos, including an uncensored "Now You've Got Something to Die For."
Produced by CBN Documentaries and Biblical Productions, "In Our Hands" tells the story of the Battle of Jerusalem in the Six-Day War through the eyes of the IDF's 55th Paratrooper Brigade
"Solidarity marches for U.S. protesters rippling around the world reached Israel on Tuesday where hundreds of protesters waved 'Black Lives Matter' signs and chanted “George Floyd.” They also called out another name: Solomon Teka. "Over the past five years, six young men of Ethiopian descent have been killed by cops, according to the Association for Education and Social Integration of Ethiopian Jews. Police data also shows Ethiopian Israelis are still disproportionately overrepresented in arrests and indictments even though they make up 2 percent of the population. "Young Ethiopian Israelis have led the protest movement against racism and called for systemic reform."
A documentary about the legendary 1972 Toronto production of the musical about the life of Jesus, which launched many illustrious careers and ignited a comedy revolution.
How US politicians and diplomats, over the past 25 years, have come close to achieving something almost impossible: securing peace between the State of Israel and its Arab and like-minded neighbors, mired in a struggle both dialectical and violent since the early 20th century, due to historical and religious reasons, entrenched offenses and prejudices, and the invisible and tyrannical hand of third countries' geopolitical interests in the area.
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.
This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.
Opening with the first day of rehearsals of the London production of "Sweeney Todd", this ninety-minute documentary focuses on the rehearsal process with the musical's director, composer and actors.
A behind-the-scenes look at Céline Dion's opening night in Las Vegas.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Music documentary by director Rafael Marziano Tinoco from Venezuela
Leningrad, 1970. A group of young Jewish dissidents plot to hijack an empty plane and escape the USSR. Caught by the KGB a few steps from boarding, they were sentenced to years in the gulag and two were sentenced to death; they never got on a plane. 45 years later, filmmaker Anat Zalmanson-Kuznetsov reveals the compelling story of her parents, leaders of the group, "heroes" in the West but "terrorists" in Russia, even today.
Jump Cut Jukebox is a highly stylized semi-fictional fly-on-the-wall documentary which was cobbled together from random bits of footage collected over a span of 10 months.
Originally released in 2001, director Bob Smeaton’s 80 minute Classic Albums: Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. For one matter, that album had many nods to and inspirations from Warhol beyond the cast of characters in “Walk on the Wild Side.”
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.