Wounded at Kew(1915)

Information Violence(en)

Le Parti du cinéma(fr)

Years of the Eagle(it)

The story of Istituto Luce and it's newsreels, full of visual records of the social and political history of Italy under Mussolini's leadership.

WMD: Weapons of Mass Deception(en)

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

The Atomic Cafe(en)

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

Albania(sq)

Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.

Merchants of Doubt(en)

Spin doctors spread misinformation and confusion among American citizens to delay progress on such important issues as global climate change.

Paris 1919: Un traité pour la paix(en)

The last shots had been fired in the First World War — but peace had yet to be made. Inspired by Margaret MacMillan’s acclaimed work of popular history, Paris 1919 takes us inside the most ambitious peace talks in history, revisiting the event with a vivid sense of narrative. Evoking a pivotal moment when peace seemed possible, director Paul Cowan reflects upon the hard-learned lessons of history.

The Pity of War(en)

Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.

New Miensk(ru)

A propaganda documentary on the post war reconstruction of Miensk, capital of Belarus.

Victory Through Air Power(en)

Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.

Charcot: Secret Poles(fr)

The adventures and exploits of Jean-Baptiste Charcot (1867-1936), an intrepid scientist and explorer who laid the foundations of modern oceanography.

John Huston War Stories(en)

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

Tragedy or Hope(en)

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

Brink of Disaster!(en)

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.

American Carnage(en)

See how alt-right icon Steve Bannon’s years as a documentary filmmaker catapulted him to Breitbart News and the Trump White House.

Star Spangled Salesman(en)

A collection of television celebrities pitch United States Savings bonds.

Victory in the West(de)

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

Asunder(en)

Esther Johnson’s film uses local archive footage to convey the story of Sunderland's involvement in the First World War, from the men who fought in the fields to those who stayed behind to work in the region’s shipyards and munitions factories.

Cartoons Go To War(en)

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.