Since 1979, Rose Chong Costumiers have been dealing in elaborate and vibrant maximalist attire for hire. In 40 years, it has established itself as an iconic and legendary Melbourne staple among the Inner-North's queer scene. But neither Rose Chong's nor fancy-dress are as simple as they first seem according to Dan, one of the long-time "Chongettes" who works there. When considered with care and attention, they reveal glittering ideas of play and fun and community. From a queer lens - or rather, a mirror - this unassuming costume shop is a place where one might begin to conceive truths about themselves and their identities. How to Dress Like Me is a 5-minute documentary that contends with the intersections of play, queerness, and clothes.
Himself
Herself
Himself
Herself
It takes courage to be a queer teenager at an LGBTQIA+ youth summer camp. Along with 65 other queer youngsters, Faas, Fano, Jeroen, and Finley are on their first summer camp, spending five intensive days of workshops that teach them how they can love themselves more. For the first time in their lives, the youths are surrounded by peers, all struggling with the same problems and feelings. As different as they are, they all share one thing: the need for contact and understanding. Mutual recognition of each other’s childhood or coming-out stories stirs up more emotions than they may have thought. Will this help them get closer to each other and eventually themselves?
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Benoît built his paradise hidden from view, emancipated in his own way, resolved to face the constraints of a space which, in imaginations, conflicts with his identity. The countryside. One day, he and other queers from the area decide to organize the first Pride of the Périgord vert, because it is time to come out, to take up space to celebrate, heal, and finally open a path.
A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.
A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
A meditation on memory around Iceland's famous Ring Road.
A journey between the sacred and profane in which the Femminielli, an ancient non-binary Neapolitan figure, fight for their survival against the globalizing tides of modernity.
The 'At The Roadhouse' concert film follows intimate performances and sequences by The Paper Kites, where in July 2022, the band arrived in the small regional Victoria town of Campbells Creek (140km north-east of Melbourne, Australia) to transform an empty heritage building into an American-style roadhouse. Over one month, the band performed a free, unannounced residency at 'The Roadhouse' to locals and passersby on Friday and Saturday evenings, while spending weekdays working on their new record in a barn on the same property. Captured by cinematographer Keiren Watson-Bonnic and edited by lead singer and songwriter Sam Bentley, the feature-length film will take audiences on an intimate journey reminiscent of their time at The Roadhouse, along with the landscape and beauty of Campbells Creek.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
Chronicles artist RM's eight-month production of his second solo album, “Right Place, Wrong Person,” while candidly recording the endless concerns of the person Kim Namjoon, and the things he immerses himself in and loves.
An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.
Alia and Muz are Pakistani-Welsh queer chosen siblings who overcome rejection and forge a path towards inclusivity. While being part of the local house ballroom scene, they soon meet Aiman, who compels them to form a trio as an Asian artist's collective in Wales. 'Trailblazers' follow their journey in reclaiming their identities, preserving their cultural heritage, and empowering Asian queer artists who refuse to let their families' rejection define them.
To mark the 60th birthday of the multi-talented comedian, singer and author Hape Kerkeling, the two documentary filmmakers André Schäfer and Eric Friedler have created a quiet, thoughtful and entertaining portrait of this often anarchic humorist. The film tells of his rapid rise as a teenager, his time and the blows of fate during the AIDS epidemic, the controversial forced outing, his confident exit from the show business and his new beginning. The film is a sensitive insight into the family history and a fast-paced journey through the career stages of a formative figure in German TV entertainment.
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
A documentary about the subject of 'Film and T.V.' in schools and the students that study it.
On February 6, 2023, an earthquake on the border of Turkey and Syria claims more than 55,000 lives. On this day, I am in an oncology center, 6 days since having my tumor removed, and in the afternoon my partner ends our relationships. Blending memory and theory, this autofiction documentary unfolds the relationships between love(s) and catastrophes.