A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.
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A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.
2023-11-05
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At the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.
Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Set in the eighteenth century, Moonfleet is about John Mohune, a young orphan who is sent to the Dorset village of Moonfleet to stay with an old friend of his mother's, Jeremy Fox. Fox is a morally ambiguous character, an elegant gentleman involved with smugglers and pirates.
A documentary account of the allied invasion of Europe during World War II compiled from the footage shot by nearly 1400 cameramen. It opens as the assembled allied forces plan and train for the D-Day invasion at bases in Great Britain and covers all the major events of the war in Europe from the Normandy landings to the fall of Berlin.
Looking at whether the history of early human evolution should be rewritten. For decades, most experts have been convinced that Africa is the cradle of mankind and many fossil finds from Kenya, Ethiopia, South Africa and Chad seemed to prove it.
A young woman researches the hidden story of Indian soldiers who came to fight in France and Belgium during the World War I. The presence of these 140,000 soldiers in Europe is a virtually unknown fact of history.
The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.
Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.
How would you feel if the state sold the mountain above your village to a big multinational, your country's beautiful islands, its beaches or your great monuments? Strangled by debt, governments and public administrations all over Europe act like any indebted family: they try not only to reduce costs, but attempt to replenish their coffers by putting their most valued family possessions on the market. More often than not, this includes part of the countries' historical and natural heritage: castles, islands, mountains, beaches, palaces, ancient arenas and archaeological sites. But who really owns these properties? Aren't they our common heritage, our history that will end up in private or corporate hands and will no longer be accessible to all? Or is the private sector more efficient in managing these properties? And if so, who decides on the best deal? Are there democratic proceedings for the sale of our common good? The people of Europe want accountability.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.
Inspired by true events that occurred during the fierce rivalry between Germany (Audi) and Italy (Lancia) at the 1983 Rally World Championships.
The Brussels Business is a docu-thriller that dives into the grey zone underneath European democracy. An expedition into the world of the 15,000 lobbyists in the EU-capital, of the PR-conglomerates, think tanks and their all embracing networks of power and their close ties to the political elites.
Geneva, Switzerland 1935. The first European Basketball Championship is about to take place. Basketball is still an unknown sport in Europe, and the national teams are meeting for the first time. Each wants the honour of being the first champion. Meanwhile in Latvia, coach Baumanis is convinced that he can assemble a team and take it to Geneva. He quickly learns however, that triumph and defeat are also part of the game. Coach Baumanis faces many difficulties, as well as unexpected help from those closest to him.
PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich
Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.
After accidentally blowing a hole in his ceiling, an early 20th-century scientist discovers the ruins of an ancient civilization in his loft.
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
The portrait of Eldridge Cleaver, the "Minister of Information" for the Black Panthers movement, in exile in Algiers.