Dantes Traum von der Hölle(1989)

3-D(en)

3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Mayhem(en)

A broken memory.

The Murmur of Nu Shu(xx)

Ray's World(en)

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

Bunnyhood(en)

What could possibly be more important than feeding your daughter?

Fire Shall Come(en)

Video art piece by Michigan artist Gio Orlando.

Rectangle & Rectangles(en)

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

The End(et)

It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.

The Psychedelic Experience(en)

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Things to Come(en)

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

Diana Wilted Forever(en)

Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

A Sad, Sad Ghost Picking at the Hairs of Their Knuckles(en)

A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.

A Man Walking Backwards and Forwards(en)

Hole(en)

An ode to my sleep paralysis hallucinations.

La dissolution du paysage(xx)

O Novo Corpo(pt)

On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

La fontaine et la chute IV (les origines)(fr)

She Is Here(en)

In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.