Through an experimental method of spectating the spectator, the audience watches two young people who are sitting and watching a projection of photographs of public spaces, in moments when these spaces are empty or abandoned, when they can become intimate, followed by a voiceover of two older people reminiscing of topics of alienation and transience of belonging, of taken or borrowed, of given or landed, of personal experience in a world where a complete affiliation never truly exists.
Devojka
Dečak
Žena (voice)
Čovek (voice)
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
The subject is the movement of cut timber from the forest to the mill. The few scenes that make up the film are loggers performing the various operations necessary to prevent logs from jamming together. The men keep them headed with the flow of the water toward the lake on which the mill is located. The activities of approximately a dozen men were photographed.
The royal couple Odette and Derek face yet another evil magician, this time a woman named Zelda. Lusting for the treasure of the Forbidden Arts, which will give her absolute power, Zelda kidnaps Odette as ransom. Derek and several animal friends head off to rescue Odette
A Jewish Moroccan immigrant family living in Israel is nearly destroyed by conflicts resulting from generational differences in this arresting Israeli drama. It begins as Cheli, a successful but emotionally troubled talk show host who has been unable to deal with her traumatic childhood is traveling to attend her father's funeral. She is accompanied by her mentally ill sister Pnina and her adopted estranged daughter. It is a hellish trip and as they travel, flashbacks chronicle their painful youth. Rachel had always wanted to break away from her family's Moroccan heritage and so spent much time trying make herself fit in with her Israeli peers. She was humiliated by her poor, ignorant family. Her father was an overbearing, blindly religious fanatic and their mother was a witch who manipulated the family by casting spells. She feared her mother, and despised her insane sister, to whom she was very cruel.
A woman's affair with an enigmatic underground musician throws her life into chaos when he disappears. Forced to fend off his obsessive fans, she also has to confront her fractured marriage, and reclaim her identity and her future.
A short and most personal experience on the flux of images and words. Brought to life like a dream, this world of images presents to you its own play.
2016 marked a revolution in American politics when a political novice upended the entrenched political classes on both sides of the aisle, and achieved a stunning victory for the forgotten men and women of the nation. Running on a common-sense platform of America First, a revitalized economy, tax cuts, a reinvigorated foreign policy, and a promise to reestablish American sovereignty with immigration reforms, Donald Trump ignited a dormant passion in the hearts of his supporters, and won the presidency in what was arguably the most significant election campaigns in our nation’s history. Trump @War is a retelling of that story and a look forward to the high-stakes midterm election in November, which will help cement his legacy, good or bad.
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
2 adventurous teenagers decide to go into a supposedly haunted apartment building.
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
As part of its 30th anniversary, and for the first time in its history, Cirque du Soleil will present a truly unique, exclusive music event celebrating 30 years of music. Music has always been a central character in Cirque du Soleil shows. It accompanies the artists, punctuates the performance and triggers emotions. The 75-minute concert will pay tribute to the music of Cirque du Soleil and will feature a choir of 70 voices (under the artistic direction of Gregory Charles) and 6 soloists accompanied by 28 musicians. The audience will hear singers Paul Bisson, Audrey Brisson-Jutras, Dominic Dagenais, Estelle Esse, Mathieu Lavoie, Anna Liani, Francine Poitras and Roxanne Potvin interpret some of the songs that have defined the music of Cirque du Soleil shows of the past 30 years.
A young couple who doesn´t know each other prepare their wedding in order to receive an inheritance. As time pass through their life together makes true love appear.
This suspense film revolves around the crime of child abduction. The parents of the missing child undertake a feverish search for their son. The police are contacted, and a ransom letter is received.
The scares start in Hawaii, where Scooby-Doo and Shaggy are scarfing down the surf-and-turf menu until a giant serpent tries to swallow them faster than you can say She Sees Sea Monsters by the Seashore. In Uncle Scooby and Antarctica, a friendly penguin invites the Mystery, Inc. crew to visit his polar home, which happens to be haunted by an ice ghost! Then, the gang meets music group Smash Mouth while visiting Australia's Great Barrier Reef to watch Shaggy and Scooby compete in a sand castle contest in Reef Grief! Just when they think it's safe to go back in the water... it isn't.
Riki and Luca are two young men in search of the meaning of their life; they find their answers in the powerful love they feel for each other. A run against the time keeps their destiny on the edge of the abyss. Riki and Luca are often bullied by a nazi-skin gang that makes their life impossible. The two decide to rebel against the gang and they star challenging them, until one day the bullies set a trap for Luca and brutally beat him up, sending the young man to the hospital, close to death. This tragic event generates different reactions among Riki’s and Luca’s parents and Luca’s mother decides that for Riki it will be impossible to come to the hospital in order to stay next to the suffering Luca. From that moment on nothing is like it used to be and the love between the two young men will turn into Luca’s parents hate and rancor towards Riki.
Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.
What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.
This short film shot in a small town in Sweden navigates themes of nostalgia through an original monologue, reflecting on gender identity struggle and the pursuit of a new beginning in a foreign land.
A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.
Mike is a young student of cinema, who receive the task to make a Videodiary for his fiction production class in the fifth semester of his career; with only a cellphone in hand begins to document his life day after day, without imagining that he will capture important and emotional moments that will remember forever.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.
“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.
A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.