Aufbruch '89 - Dresden(1989)

Battlefield Gender(de)

Both a visit to a very peculiar exhibition at the Bundeswehr Military History Museum in Dresden, Germany, as well as an unprejudiced look at the artistic depiction of violence throughout history and the ways in which that depiction has been gendered.

Dresden in alten Filmen(de)

Rauschen im Tal(de)

Dresdner Filmschätze - Teil 4 | Die 90er bis 2000er Jahre(de)

Dresden(de)

A film about Dresden - before, during, and after the war.

Mit der Straßenbahn durch Dresden - Linie 3(de)

Mit der Straßenbahn durch Dresden - Linie 12(de)

Das Drama von Dresden(en)

It took only one night and a day. A night and a day to completely destroy what had been built up over centuries. Dresden, the Florence of the Elbe, a baroque work of art and one of the last cities, which had left by the bombing during the Second World War is still largely intact, sank in just 12 hours in rubble. At least 30,000 people were in a terrible fire storm end. The film depicts an example of the fate of the victims of this attack, the fate of Dresden but also that of the pilots, the fates of the survivors and those who could not escape the flames. He observed at the same time as it is happening in the British headquarters, the "Bomber Command". As a historical "real-time reportage" accompanies this award-winning documentary (Emmy Award-2005) with elaborate productions, the last 36 hours, in which Dresden, went back and put the audience into the events of the last months of World War II.

Dresdner Filmschätze - Teil 1 | Die 20er bis 40er Jahre(de)

The Treasures of Saxony: How August III Built His Collection(de)

Year 1763, the Seven Years' War is about to end. August III, Elector of Saxony and King of Poland, has died, leaving empty the royal treasury and an extraordinary collection of paintings, sculptures, jewelry and goldsmith masterpieces, which he considered a symbol of his greatness, and that of Dresden, one of the European capitals of Baroque art.

Wann wird es endlich wieder Sommer(de)

Lord of the Toys(de)

Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.

Never Look Away(de)

German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR regime.

The Small White Mouse(de)

„White mouse“ Fritz controls the traffic on Dresden’s Körner Square. Helene, who crosses the junction on her motor scooter every day, has taken a shine to Fritz a long while ago. Although Fritz yields right-of-way to her remarkably often, the two have not spoken to each other. In order to finally get to know him better, Helene deliberately performs a traffic violation. Her plan is working: She is ordered to take road safety education lessons from Fritz and they get closer. New problems arise in the shape of Mrs. Messmer who must pay a monetary fine. She feels discriminated against by Fritz and complains about him to his supervisor.

Slaughterhouse-Five(en)

Billy Pilgrim, a veteran of the Second World War, finds himself mysteriously detached from time, so that he is able to travel, without being able to help it, from the days of his childhood to those of his peculiar life on a distant planet called Tralfamadore, passing through his bitter experience as a prisoner of war in the German city of Dresden, over which looms the inevitable shadow of an unspeakable tragedy.

The Red Cockatoo(de)

A coming-of-age story set in Germany in the 1960s. Siggi becomes involved in a love triangle when he falls for Luise, but the tightening political climate forces him to make a fateful decision.

Farinelli(fr)

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Lisztomania(en)

In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.

Empire of Madness(en)

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Still Here(es)

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.