The Staggering Cost of the Never-Ending War on Terror(2023)

Camilo: The Long Road to Disobedience(de)

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Room 708, A Letter from a Private(ko)

A documentary about the 8-day sit-in struggle by GANG Cheolmin, a 22 year-old private in the South Korean army who declared his objection to military service on November 21, 2003 in order to stop the South Korean government from sending troops to Iraq, and the peace groups supporting him.

The Cats of Mirikitani(en)

Documentary about red-bereted Jimmy Mirikitani, a feisty painter working and living on the street, near the World Trade Center, when 9/11 devastates the neighborhood. A nearby film editor, Linda Hattendorf, persuades elderly Jimmy to move in with her, while seeking a permanent home for him. The young woman delves into the California-born, Japan-raised artist's unique life which developed his resilient personality, and fuel his 2 main subjects, cats and internment camps. The editor films Jimmy's remarkable journey.

Afghanistan: War without End?(en)

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.

Afghanistan: The Battle for Helmand(en)

Mark Urban tells the inside story of Britain's fight for Helmand, told with unique access to the generals and frontline troops who were there.

Terrorstorm(en)

Throughout history, regimes have used terror attacks as a means of control over their populations, and for the last 100 years, Western governments have employed the same measures.

War of Lies: How to Sell an Invasion(en)

Saddam Hussein's arsenal of "weapons of mass destruction" was George W. Bush's main justification for waging war against Iraq in 2003. After the invasion of the country, American leaders recognised that they had been mistaken, and that the Baghdad tyrant did not possess such a capability. Bush claimed it was an error and defended his good faith, denouncing the negligence of his secret services. But the brutal truth lies elsewhere: The war in Iraq was based on lies.

Where in the World Is Osama Bin Laden?(en)

Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.

Julie Mendez - from PTSD to Art(en)

Julie Mendez was a 17 year old teenager when she saw the "be all that you can be" Army recruiting messaging and decided to enlist. Her life would change forever when she was deployed to serve in the Iraq War. Her experiences changed her and she returned home to face feelings of isolation and depression. Always a creative person, Julie turned to art to help her process her experiences and begin to heal her PTSD.

Shutdown: The Rise and Fall of Direct Action to Stop the War(en)

In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.

WMD: Weapons of Mass Deception(en)

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Bobby Hollingsworth: Army CID(en)

Bobby served in the United States Army for 10 years in a Criminal Investigation Division (CID) unit. During that time, he was deployed once to Iraq in September 2006, where he developed PTSD.

Joel Hunt: Traumatic Brain Injury (TBI)(en)

Joel Hunt served as a combat engineer from 1998-2007, with multiple tours in Iraq. While there, he endured more than 15 roadside bombs, and experienced a traumatic brain injury (TBI). Today, with the help of his dog, Barrett, he uses sports to push through the challenges of having a TBI.

Scott Castle: Battle of Fallujah(en)

Scott Castle served in the U.S. Marine Corps for four years. While assigned to 1st Battalion, 5th Marines, 1st Marine Division he served three combat tours in Iraq, including the First and Second Battles of Fallujah.

Zeitgeist(en)

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

9/11(en)

An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.

Tiffany McKinley: Sailor(en)

Tiffany McKinley dismisses the stereotype of a single female personality in the military. For Tiffany, her interest in the Navy was activated by the spread of patriotism after 9/11. In the Navy, she manned the control centers of deployed ships.

Invisibles(fr)

Iraq in Fragments(ku)

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.