2023-04-27
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Singer Anitta performed a historic show full of Brazilianness at the Coachella 2022 festival. With the colors of the Brazilian flag, the singer took the scene from the favelas of Rio de Janeiro to the United States and her performance was even compared to the iconic Beyoncé, in 2018.
Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.
A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.
Alive and Burning drops a pin in the band's career as their first-ever recorded live performance. Filmed in their home town of Los Angeles during the successful Black Mass Tour in support of their self-titled fourth album at the world famous Wiltern Theatre. The sold out crowd witnessed a career-spanning set list featuring classics such as Knives and Pens and Fallen Angels as well as current favorite Faithless and the grand finale In The End!
A true story of a courageous boy who becomes a legend. Living a dream that wouldn't die; his passion empowered him to historically change the course of baseball. Facing challenges on every front he conquers all with his belief and determination; a true hero. A life changing story!
For more than 50 years, we’ve been unsuccessfully searching for any evidence of intelligent extraterrestrial life. But, the discovery of thousands of exoplanets has meant the hope of finding them is higher than ever. If any messages could eventually be decoded and answered in any far, far away star, it could radically transform our consciousness as species and our place in the universe. A message from the stars changes life on Earth… forever.
m-flo Tour 2005 BEAT SPACE NINE at Nippon Budokan was filmed on November 5th, 2005 at Nippon Budokan in Tokyo. This concert is the beginning of the m-flo loves series.
"m-flo Tour 2007 COSMICOLOR at Yokohama Arena" is the 6th DVD released by m-flo with live concert performances from Yokohama Arena. It is the second DVD to be released that is predominantly part of the m-flo loves series.
m-flo 10 Years Special Live "we are one" was filmed on December 15, 2009 to celebrate m-flo's 10th anniversary in the music business. It features both performances with LISA and from the "loves" series. This was held at Yoyogi National Gymnasium.
Sakamoto Maaya LIVE TOUR 2009 "WE ARE KAZEYOMI!" is the second DVD (first live DVD) released by Sakamoto Maaya. It is from her LIVE TOUR 2009 "Kazeyomi".
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
Tilly, Miah and Safa are three young women who endure debilitating period pain. Following an adolescence with little menstrual education, support or relief, they navigate the physical and emotional toll of intensely painful periods while trying to maintain a normal life.
Reyna, head of the school choir and daughter of the Parish Office Chair is rattled once her meticulously orchestrated music group is disrupted by the spontaneous and unorthodox new pianist, Sam.
How did Marilyn Monroe become one of the greatest sex symbols of all time? What drove a prudish little Californian girl, who was not especially pretty nor exceptionally talented, to become this incredibly striking platinum blonde superstar? How did she become the icon capable of balancing innocence with raw sensuality, whilst continuing to captivate the masses to this day? How did she achieve this? And what price did she pay?
Follow the extraordinary journey of George Steeves, a queer man, as he promotes and performs his educational and entertaining one-person show about growing up with Aspergers, inspiring audiences around the world, especially families with children diagnosed with autism spectrum disorder.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."