A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.
Somewhere between documentary and fiction, this is an essay on questions of territory and human displacements made during an excursion from southern Spain to northern Morocco. Travelling on the Mediterranean rim, we hear immigrants tell their stories.
A documentary about Basque inmigrants who went to USA looking for work and a better future. Basically, Amerikanuak talks about feeling homesick, about struggling in a different country to make a decent living and about being part of a comunity.
Andres Kurg is an art historian who likes Danish modernist architecture and therefore wants to settle there. He argues with Danish officials to grant him a residence permit for aesthetic reasons.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.
A golden summer dress in XXL, the ice-lolly drips slowly onto the hot ground. RIOT NOT DIET creates a queer feminist utopia far away from BMI norms and male* gaze. The fat women* and queers in this movie are not ashamed of their expansive body dimensions, but confidently claim space for themselves. They use their bodies to blow up patriarchal structures and enjoy their corporeality beyond the neoliberal logic of exploitation. In times of self-optimization, your belly is a statement!
The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.
A self-portrait short film on 16mm from a trans male perspective.
Peter Alexander, interviewed in Sydney, born and brought up as Mavis Higgins in New Zealand, speaks of his sex change from female to male. He discusses the aspects of his personality when younger which influenced his decision, his view of women in society and his plans for the future. Although Peter talks about shaving it is not clear if any medical intervention had assisted his sex change. The predominant voice in this clip is that of Alexander, dressed in jacket and tie, talking cheerily about his interest in sport, his awareness that his "male side and personality" were always dominant, his desire to marry and continue with his musical career. The story was sensationalised in the tabloid newspaper of the day "The Truth".
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.
Lesbian director Brigid McFall and lesbian photographer Vic Lentaigne create a series of intimate, revealing portraits of what it means to be lesbian in 2022, exploring why it is that so many young women who are sexually attracted to other women now prefer to identify as queer.
The story of a young gay man who faced persecution due to his sexuality and made a frightening journey to the UK with just a suitcase.
An unusual friendship in an agitated political context.
After losing her father at an early age, Tina Duran explores the rich history of her father, the story of her ancestors who migrated from Mexico to the United States, and the impact the Vietnam War had on their community.
I Did Not Choose is a documentary movie about a lesbian person living in Turkey. She lives with her family, friends and makes them accept her queer existence.
In 1947, the Assisted Passage Scheme began, devised by the Australian government to bring in white British settlers. For just 10 pounds, they could start a new life in a sun-drenched land of opportunity, and over the next 25 years, more than a million people took up the offer. The scheme's pioneers tell their story.