A teenage pianist delivers a chilling performance.
A teenage pianist delivers a chilling performance.
2021-05-14
0
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
Reyna, head of the school choir and daughter of the Parish Office Chair is rattled once her meticulously orchestrated music group is disrupted by the spontaneous and unorthodox new pianist, Sam.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Goodbyes in dark hotel rooms always use up all the words. He can't seem to describe his feelings, so he asks her to listen to a song.
Celebrating the end of World War II and liberation of their city, a group of students is set on holding a cultural evening. They invite Ema, a reclusive piano teacher from the same building, to play for them. Ema declines, but starts reminscing back on her own life and the historical events that have seemingly overshadowed it.
The Lonely Island spoofs Jose Canseco and Mark McGwire in this visual rap album set in the Bash Brothers' 1980s heyday.
Piano Vladimir Horowitz in a televised recital from the White House on 26 January 1978, on the occasion of the 50th anniversary of his US debut, at the invitation of President & Mrs Carter. On the program, Chopin's Sonata #2 in B-flat minor, Waltzes in A minor and C-sharp minor, and Polonaise in A-flat, followed by encores by Schumann, Rachmaninoff, and Horowitz's own Carmen Variations.
A young boy who likes to play the flute dreams that he has lost his water buffalo.
A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.
A friendless loner takes a walk in a deserted park where he enjoys solitude.
After a Parkinson's diagnosis a classically trained pianist embarks on a path of self discovery leading him to a punk band. Their rebellious lifestyle and music provide a distraction to his troubles and a sharp contrast to his old life.
“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.