The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
2023-01-25
0
Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.
Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Inspired by true events, in the winter of 1924 Kolkata, amidst the fervour of the Indian Nationalist Movement, an 18-year-old torn between personal convictions and the call for national duty is recruited by a seasoned freedom fighter. Tasked with a pivotal mission against the British, the boy's internal conflict escalates when he's required to prove his loyalty through the assassination of a British informant. As the consequences of his actions unfold, the narrative intricately weaves the fate of an orphaned little girl into the tapestry of loyalty, sacrifice, and the relentless struggle for independence. Set against the socio-political turbulence of the era, this historical drama delves into the profound choices individuals make within the complex fabric of a nation's fight for freedom and intertwines the tumultuous events of the Indian Independence Struggle with the haunting realities of children caught in conflict zones.
A documentary about an old animation technique and the film studio that tries to carry on the legacy. The worlds oldest animation studio still making film with stop motion technique is Nukufilm located in Tallinn, Estland. Here we can follow the work in the studio which was founded in the Soviet era and has survived heavy censorship and global competition.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.
After several years of being in relationship, Yusuf knew at what point he had to be brave to take his relationship to the next level with Zulaikha. Their love is pure and sincere and both hope this will become a solid foundation for both of them in the future. But the future is indeed unpredictable. Their love is hindered by caste differences. Zulaikha, who is descended from Bugis aristocrats, is not allowed to marry Yusuf, who, although he is well off, is from the common people of Makassar. History repeated itself because in the past, Yusuf's father, Dirham faced a similar polemic. Unlike his father, Yusuf was bolder against custom. He chose to fight for his love and asked Zulaikha to run with him.
"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
Filmmaker Jane McAllister follows her father, Yes campaigner Fraser McAllister, through the events of the 2014 referendum on Scottish independence.
After his wife passes away, the ailing Akbar marries Tina, a widow. Akbar’s illness makes him lose his job so Tina has to work in a garment factory. Akbar’s effort to find a job is fruitless and he passes away shortly after. His three children Mimi, Memet, and Ayu cannot stand their stepmother’s fickleness. They leave quietly to find the family of their biological mother. This is not easy since they don’t have her address. They work at any job to survive - housemaid, shoe shiner, parking boy etc. One day they meet John who buys and sells used newspapers. Mimi and Memet are given a small business of selling ice and pastries. Then Memed accidently takes the wrong train but fortunately, a rich man adopts him. However, Memed returns home as he misses his younger siblings. The reunion is short since Ayu passes away.
A former Catelli pasta factory, located at the confluence of Petite-Patrie, Mile-End and Little Italy, has over time become the refuge of many renowned artists, an important place of creation for contemporary painting. Montrealer. Chance encounters, proximity and exchanges enrich their respective work. But real estate speculation threatens the sustainability of these artists' studios. Fight to create, create to fight: this documentary opens the door to these inspiring places, which will soon no longer be so. A journey into the spirit of creation — despite everything.
An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
Against all the odds, a thirteen year old boy in Malawi invents an unconventional way to save his family and village from famine.
When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?
In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micronation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.
Young revolutionary Kartar Singh Sarabha fights for Indian Independence in the early 1900s.
"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple screens as an expansion of cinema as exemplified by Abel Gance’s Napoléon (1927), it presents what is literally a conceptual expansion of cinema in the form of a filmic work experienced in a theater in which the 15-channel, surround-sound audio constructed by Araki Masamitsu and Ito’s visuals organically intertwine."
Skin Shade Night Day explores the daily routine and rituals practised by the artist’s Cambodian-Australian family, which are reperformed and documented through a process of embodied empathy. Acts of service, such as gardening and cooking, play out as echoes from the past across a sound and image installation displayed in a shadehouse. Spectres, shadows and aural textures conjure up impressions of a place that remembers how its inhabitants once lived.