With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.
2018-11-15
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7.0A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
0.0Painter, poet and playwright, teacher and freethinker, lover and traveler, Austrian artist Oskar Kokoschka (1886-1980) was a rare individual who remained lucid and passionate throughout his long life.
7.0In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a prank, the secret apartment became a deeply meaningful place for all involved.
6.4Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
The history of art in Ethiopia. The film emphasizes the styles, materials, etc. ofpaintings on walls and roofs of ancient churche
6.6As the war between the vampires and the Lycans rages on, Selene, a former member of the Death Dealers (an elite vampire special forces unit that hunts werewolves), and Michael, the werewolf hybrid, work together in an effort to unlock the secrets of their respective bloodlines.
5.0The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
0.0In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.
0.0African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.
7.1A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
6.1The story focuses on high school girl Nagisa Yukiai who lives in a seaside town. She has believed her grandmother's story that spirits dwell in words and they are called "kotodama" (word spirit). One day, she strays into a mini FM station that has not been used for years. As an impulse of the moment, she tries to talk like a DJ using the facility. But her voice accidentally broadcasted reaches someone she has never expected.
0.0Motherwell/Alberti explores the artistic connection between Robert Motherwell's Open Series and Rafael Alberti's poetry cycle, A La Pintura. Infatuated with Alberti's text, Motherwell uses his words as the subject for his first venture into aquatints at Tatyana Grosman's printmaking workshop. Historic footage shows Alberti, the last member of the Garcia Lorca generation, reading his poetry aloud. His poetic themes voice an homage to painting, which Motherwell's set of abstract "windows" delicately complements.
7.0Following their success in the qualifying round for the Kansai regional competition, the members of the Kitauji High School concert band set their sights on the next upcoming performance. Utilizing their summer break to the utmost, the band participates in a camp where they are instructed by their band advisor Noboru Taki and his friends who make their living as professional musicians. Kumiko Oumae and her friends remain determined to attain gold at the Kansai competition, but trouble arises when a student who once quit the band shows interest in rejoining and sparks unpleasant memories for the second-year members. Kumiko also learns about her teacher's surprising past and the motivation behind his desire to lead the band to victory. Reaching nationals will require hard work, and the adamant conviction in each student's commitment to the band will be put to the test.
10.0Lyonel Feininger's work is as individual and unmistakable as he is himself. As a classical modernist artist, he is difficult to categorize. He lived and worked in Germany for a long time. He began his career as a caricaturist, later became known as a painter and headed the printing workshops at the Bauhaus. His work cannot be classified as cubism or expressionism. The film visits places that inspired him, such as Paris, the villages around Weimar and, above all, the Baltic coast - many of which are reflected in Feininger's work and make the development of his oeuvre comprehensible.
6.0Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera.
0.0Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints the religious houses of the vodun. Haas and his film crew follow Cyprien as he first paints and then takes part in the ceremony to open a new temple. The paintings include three vodun figures and several emblems, including a pipe and a duck. Cyprien explains his work in the context of the religion and takes the crew to film two other local ceremonies, one where the dead are believed to come back to instruct the living through wild dancing and, another, where women warriors perform their war dances.