Atumpan: The Talking Drums of Ghana(1964)

I Never Promised You a Rose Garden: A Portrait of David Toop Through His Records Collection(en)

British musician and writer David Toop leads viewers through a tour of his voluminous record collection, reflecting on perception, the limits of music and the connections between seemingly disparate performers. This unusual documentary from filmmakers Guy Marc Hinant and Dominique Lohlé also captures Toop's progression from engagement to near exhaustion as he methodically combs through tens of thousands of records.

Pigface: Free for All(en)

Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.

There Is No Authority But Yourself(en)

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

'Are'are Music(en)

A documentary about the traditional music of the 'Are'are people of the Solomon Islands.

Rock School(en)

It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.

Mögöbalu, Les Maîtres des Tambours d'Afrique(fr)

Milford Graves Full Mantis(en)

Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist’s singular voice and complex cosmology.

Herzschlag der Kontinente(fr)

Refuge(e)(en)

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

La importancia de llamarse Ernesto y la gilipollez de llamarse Eric(es)

He was born in Granada, the only city in the world with an explosive name. At the age of ten he joined the Falange because he wanted to play the drum. His biggest musical influences have been Holy Week and his first host, the one he was given at birth. It was produced at the age of sixteen. A little later he began using drugs to escape. he should have died before thirty. For forty years he has hit the drums as life has hit him, with all his might.

Practice Makes Perfect(en)

The film is primarily a portrait of Kam Kelly, who teaches West African drumming to students at various New York schools, including Intermediate School 292 in Brooklyn. One of his students, Jessica Jackson, is featured. The piece was commissioned for the “Crossing Brooklyn Ferry” festival at the Brooklyn Academy of Music in 2012.

Fred the Film(en)

Presenting Goose's 'Fred The Film', a 2 hour music documentary showcasing some of the band's favorite moments and songs from Goose's first festival, Fred! Enjoy behind-the-scenes footage, as well as 7 song selections from the weekend.

El Batería(es)

Cuban drummer Elvis García reflects on his journey from Havana to Miami, struggling to make his way in the American city as a professional musician.

Sufi, Saint & Swinger(en)

The tragic story of an American music virtuoso who found in 1970s Iran the love and acceptance he never received back home, and who was punished by his country upon his return after the Iranian revolution.

The Concert for Bangladesh(en)

A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.

Fritz Hauser: Sound Explorer(de)

A documentary about experimental drummer Fritz Hauser.

Beyond the Forest: Hungarian Music in Transylvania(en)

The dance house movement, which (illegally) brought folk music from the minority Hungarian Gypsies and peasants of Transylvania - now part of Romania - to Budapest, and its effect on views of the value of traditional culture.

Togo, le foot et la politique ne font qu'un(fr)

October 8, 2005. Togo, one of Africa's poorest countries, qualifies for the World Cup for the first time in its history. The achievement is not only historic; it also hastens the end of the bloody civil war that has been ravaging the country for several months. On the eve of the World Cup opening in Germany, hopes are high in Lomé, the capital of Togo, that the national team will restore pride and prosperity to an entire people. However, disillusionment quickly sets in. The team had not even entered the competition when it was already beset by endless internal problems. What if soccer, in the end, was nothing more than a reflection of the deep-seated problems that have been plaguing Africa for years?

The Dark Side of Chocolate(en)

A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.

Bumpa(en)

This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.