
In July 1860, the schooner Clotilda slipped quietly into the dark waters of Mobile, Ala., holding 110 Africans stolen from their homes and families, smuggled across the sea, and illegally imported to be sold into slavery. Surviving Clotilda is the extraordinary story of the last slave ship ever to reach America's shores: the brash captain who built and sailed her, the wealthy white businessman whose bet set the cruel plan in motion, and the 110 men, women, and children whose resilience turned horror into hope.
Narrator
Captain William Foster
Cudjoe Kossula Lewis

In July 1860, the schooner Clotilda slipped quietly into the dark waters of Mobile, Ala., holding 110 Africans stolen from their homes and families, smuggled across the sea, and illegally imported to be sold into slavery. Surviving Clotilda is the extraordinary story of the last slave ship ever to reach America's shores: the brash captain who built and sailed her, the wealthy white businessman whose bet set the cruel plan in motion, and the 110 men, women, and children whose resilience turned horror into hope.
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The story of the last slave ship to ever reach America's shores: the brash captain who sailed her, the wealthy businessman who paid for her, and the 110 people whose resilience turned horror into hope.
10.0In 1928, Lady Heath became the first person to fly solo from Cape Town to London. Eighty-five years later, Tracey Curtis-Taylor set out in a vintage biplane to fly that adventure again. Following Tracey as she retraces the journey, The Aviatrix is more than just a film about the rapture of flying – it’s a story about living life on your own terms and having the courage and determination to realise your greatest dreams.
7.5During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
6.0Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.
10.0Follows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.
The mother of a child suffering from cancer struggles to maintain a normal life for her family. Stine is thirty-seven years old and the single mother of three girls. Her daughter Cecilie, now aged eleven, has had cancer since she was two. Cecilie has spent half her life in hospital and Stine along with her. Stine is fighting an unfair battle in unbearable chaos. At the same time, she insists on maintaining some sort of life for all three children.
6.8The prophecy of Khoa Lê’s 93-year-old grandmother (bà nôi) burdens his unknown future and reflects the roots of his past. Born in Vietnam but raised in Canada, Lê’s homeland pilgrimage is measured parts self-portrait, ethnography and an ethereal quest for identity. His bà nôi is funny and forthright in a matriarchal manner, as one with little time to worry about what others think. Stark observations of her home life and family visits contrast visually stunning dreamlike sequences of fog-laced silhouettes and twilight vistas that echo an unpredictable path. As he celebrates New Year’s events with family traditions and rituals steeped in superstition, fortunes and horoscopes, it’s clear Lê is seeking signs of destiny as he poetically captures a soul floating between two worlds.
0.0A filmmaker attempts to piece together memories of her mother after the discovery of diaries she left behind 16 years ago.
6.6In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
9.5When Isa provokes the Nazis with a satirical song at her graduation party, she is denied her degree despite passing her exams. She has to give up her plan to become a teacher and, against her mother Petra's wishes, manages to perform in a political cabaret. She enjoys stage success as a singer with an accordion and falls in love with the pianist Laurenz. During the Second World War, Isa's family gets caught up in the wheels of political power and is torn apart - until, after much turbulence, the Vermehrens regain their old cohesion and accompany Isa together as she enters a convent in Bonn.
0.0Through the story of a mason in Djenne, Komusa Tenapo, and his family, this documentary examines an African tradition of mud architecture in Mali. The environmental genius of these ancient construction techniques—thick walls with tiny windows that keep the interiors cool despite the stifling heat—is expressed in strikingly beautiful designs that have won the town of Djenne designation as a World Heritage site.
6.5In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
7.6Wildlife activists and investigators put their lives on the line to battle the illegal African ivory trade, in this suspenseful on-the-ground documentary.
10.0Sonia Reich- who survived the Holocaust as a child by running and hiding, suddenly believes that she is being hunted again, 60 years later.
0.0Every year, an estimated 800,000 persons are trafficked across international borders and forced into sexual or labour servitude. Estimates are that as many as 32 million people yearly are held in slave-like conditions for sexual or labour exploitation, 2.4 million of these individuals as a result of being trafficked. They are promised good jobs or pay, but end up forced into prostitution or working in servitude for no pay. They are emotionally and physically brutalized, starved, forced to work extremely long hours, stripped of their passports and locked away, and eventually discarded or worse, murdered. Eight years after the United Nations established the Palermo Protocol to Prevent, Suppress and Punish Trafficking in Persons, "Fatal Promises" offers a comprehensive look at the realities on the ground versus the rhetoric of today.
0.0Survivor Abduweli flees a Chinese Uyghur internment camp to Norway. Now, heading to Germany to confront a past torturer, his daughter’s panic attack forces a choice: exposing Uyghur genocide for the world, or shielding his family from painful memories.
10.0Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.
0.0A visually stunning narrative documentary, NAKED GARDENS immerses audiences in the complex, unseen world of a family nudist resort in the Florida Everglades. Filmed over one season at this lush tropical campsite, the film follows the stories of individuals drawn to an unusual community, which promises both non-conformist values and, more importantly for some, a cheap place to live. As aging owner Morley and his residents prepare for the largest gathering of nudists in the US, the Mid-Winter Naturist Festival, they are faced with challenges both as a community and as individuals.