We Called Him the Ugly King(1987)

Yellow Door: '90s Lo-fi Film Club(ko)

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

Martin Ťapák(sk)

My Best Fiend(de)

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Spielberg(en)

A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.

Altman(en)

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

Teruo Ishii Fan Club(ja)

A documentary on Teruo Ishii, the Japanese "King of Cult".

The Legend of the Ugly King(de)

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Safe Space(tr)

This documentary discusses how LGBTIQA+ people experience the streets and nightlife of Istanbul in terms of a safe space through the unique, yet common experiences of queers from different backgrounds, and focuses especially on nightlife and the issue of safe space there, which is a very critical area for queers to exist as they are.

Entretien en six temps avec Gilles Groulx(fr)

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

Adagio pour un gars de bicycle(fr)

Tati Express(fr)

Tati Express dives into Jacques Tati's films and how they look at a changing world throughout the 20th century. It shows how modernity impacts human-beings and goes through that amazing body of work at 100 mph.

The Balcony Movie(pl)

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

My Kieslowski(pl)

Köy(de)

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

Bilge and Her Apprentice: Diary of an Assistant Director(tr)

The story of a young woman entering the world of filmmaking as assistant director to Bilge Olgaç and the two years they worked together. Through her diary, Belmin Söylemez explores what she learned from Bilge Olgaç, the most productive woman director in the history of Turkish Cinema. The film also gives us clues on filmmaking in Turkey in the late 80’s. From tough shooting conditions to 35 mm editing, we discover Olgaç’s world through her assistant’s eyes. ‘Bilge and Her Apprentice’ pays tribute to the life and work of Bilge Olgaç, who passed away in 1994.

Compañero Fernando(es)

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Fellini of the Spirits(it)

2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.

The Wild One(en)

In the work of Jack Garfein - Holocaust survivor, theater and film director, key figure in the formation of the Actors Studio - past and and present freely intermingled to contribute to memorable stage productions and in two films, many which were ahead of their time in tackling such issues as homosexuality, race and violence. Powered by his vivid recollections and augmented with readings by Willem Dafoe, The Wild One traces Garfein’s life: his Czechoslovakian youth, his family’s fleeing the Nazis, surviving in Auschwitz and other camps, his 1946 arrival at 16 in New York and coming under the wing of Lee Strasberg, Hollywood, his marriage to actress Carroll Baker.

Rojava, l'avenir suspendu(fr)

A documentary on Royava's suspended future, while caught in the crossfire between Damas, Ankara, Tehran and Moscow.

Rojava, une utopie au cœur du chaos syrien(fr)

Spearheading the 2017 battle for Raqqa against ISIS, the Kurdish forces of Rojava tried to put together a revolutionary political vision in the Levant: gender equality, self-determination, democracy, popular self-defense, anti-sectarism... But their democratic confederalism, built on mine fields and war economy, found itself struggling between imperialist foreign forces and Turkish nationalism.