
Waking up in a nightmare before the sunrise of December 30, 2020, the indigenous community of the Tumandok was suddenly surrounded by fear. Panambi features the stories of bright memories of the past and the despair of having now as a mere memory of the future without a trace of justice; how they lived and what they lived for. A decades-long struggle is shot, one in the lens of a mother paralyzed by fear; another from a mother raged and moved by fear—both looking forward to a better tomorrow.
Herself
Herself
0.0Resident Orca tells the unfolding story of a captive whale’s fight for survival and freedom. After decades of failed attempts to bring her home, an unlikely partnership between Indigenous matriarchs, a billionaire philanthropist, killer whale experts, and the aquarium’s new owner take on the impossible task of freeing Lolita, captured 53 years ago as a baby, only to spend the rest of her life performing in the smallest killer whale tank in North America. When Lolita falls ill under troubling circumstances, her advocates are faced with a painful question: is it too late to save her?
0.0Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.
A stunning display of a stop-motion animation, Dancers of the Grass vividly depicts the majesty of the hoop dance, a tradition symbolizing the unity of all nations.
6.2Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
0.0TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
0.0The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.
0.0Lonnie Kauk’s personal journey to honor his indigenous Yosemite roots, and to connect with his legendary father by repeating his iconic climbs.
0.0Depicts Inuit creation stories in all their glory. Arctic Song tells stories of how the land, sea and sky came to be in beautifully rendered animation. Telling traditional Inuit tales from the Iglulik region of Nunavut through song, the film revitalizes ancient knowledge and shares it with future generations.
A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.
0.0Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.
0.0Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
0.050 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
0.0A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.
0.0The historic gathering of three hundred indigenous activists from North, South and Central America who met in Quito, Ecuador, in July 1990 to organize a cross-continental indigenous resistance to the Columbus Quincentennial.
A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.
5.7Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.
0.0Kimberley Traditional Owners question what meaningful negotiation looks like and offer humanising portraits of those at the centre of this battle in Australia’s spectacular north-west corner, which governments aspire to make "the future economic powerhouse of Australia". With the highest percentage of Aboriginal people living on Country in Australia, what will this mean for the Kimberley’s custodians, lands and cultures, and will they survive these pressures?
0.0In this short documentary, Canadian poet Andrew Suknaski introduces us to Wood Mountain, the south central Saskatchewan village he calls home. In between musings on his poetry, which is tinged with nostalgia and the vast loneliness of the plains, the poet discusses the area’s multicultural background and Native heritage, as well as the customs and stories of these various ethnic groups.
10.0With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.
