2010-10-29
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The New Air Force One: Flying Fortress follows the new presidential aircraft's creation, diving into how it transformed into a top-secret command center.
Traffic on the B61 road, which connects Rotterdam to Warsaw and cuts through the German spa town of Bad Oeynhausen, is permanently gridlocked. The promised cure is a bypass whose construction is documented for a period of eight years: the efforts of the mayor, police, fire brigade and construction companies, the delays in the construction of the northern bypass and above all the reactions of the affected residents.
The second of Jonathan Demme's three Neil Young performance docs.
Climbing has always been more than just a sport. It’s provided a way of life and a makeshift family to misfits who share a calling. As the sport grapples with its growing popularity, the people who anchor its core and community have more responsibility than ever. This film tells the stories of five of these anchors, the Stone Locals who keep the soul of climbing and nurture it as the sport evolves.
Santa's image is almost universally recognizable, yet the jolly old soul, with his bag of gifts, steering his reindeer and sliding down chimneys is a relatively modern image. This festive documentary shows how today's Santa is a fusion of cultures and traditions around the world
What do you experience as a candidate in a state election campaign? This is what the filmmaker wants to know and accompanies a candidate with the camera for a year. See what he experiences in this documentary.
Dortmund's Nordstadt is considered a social hotspot. High unemployment, poverty and crime. Many migrants live here. But the district is on the move.
Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.
Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.
A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.