Gluck: Iphigenie en Aulide / Iphigenie en Tauride(2013)

Julienne Taylor & the Celtic Connection: Live at the Lyric(en)

Scottish singer/songwriter Julienne Taylor's debut concert took place on September 24th at the Lyric Theatre, Academy for Performing Arts, Hong Kong featuring her band from Scotland, The Celtic Connection. The concert blu-ray was filmed for release in late 2012. Compared to the likes of Norah Jones and Eva Cassidy, she's captured the hearts of many (with a especially large following in Asia) with her romantic Celtic folk and pop songs. Featured hits on this video are some of her famous hits from her album ""The Heart Within"" and some traditional Scottish folk songs along with her own compositions and interpretations of classic lovesongs included on her debut album ""A Time For Love"" which some of it have been featured in a number of Korea TV dramas.

Cosmic Chaos(en)

Battles in virtual reality, survival in a post-apocalyptic wasteland, a Soviet spaceship giving a distress signal - Fantastic stories created with advanced special effects and passion.

A(en)

Single-channel video installation commissioned by Public Art Development Trust, London.

Six Reasons Why(en)

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Old Man Junior(en)

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

FILM(en)

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

PorNO(uk)

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

Asdrúbal Trouxe o Trombone(pt)

Shimmy: The First Monkey King(zh)

Shimmy, a monkey newly discover superhero powers and learns how to control his extraordinary transformative abilities and prevent powerful demonic forces from sending the universe into chaos.

Hami Nepali Hami Gorkhali(en)

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

Underground Entertainment: The Movie(en)

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

The Queen of the Night(es)

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Anna's Struggle(es)

Anna is a woman who sells flowers at the local market and whose only hope and joy in her life is her only son Amaurys. Raul, Amaurys' best friend, involves him in a drug deal which results in his death.

Transmorphers: Mech Beasts(en)

20 years after the events of Transmorphers, a newer, more advanced species of alien robot descends on a rebuilt Earth, threatening once again to destroy the planet.

blood in the hands(pt)

An alcoholic father reaches his limit with his son after discovering his secret.

Mount Tamalpais R.R., No. 1(en)

This film shows the summit portion of the Mill Valley and Mount Tamalpais Scenic Railway, the Tamalpais Tavern resort, and part of the adjacent east peak of Mount Tamalpais.

Max(fr)

Maxine is an intern at a car workshop. She works hard toward full-time employment. The reality of the world of work grounds her in her reality: being a woman in a man's world.

Coldplay at the BBC(en)

Coldplay showcased several tracks from their new album in an open-air concert at the BBC Television Centre in London. The gig – broadcast live on BBC Two – featured new material such as 'Violet Hill' and '42', alongside old favorites including 'Clocks', 'Fix You' and 'In My Place'. The band left the main stage briefly to perform an acoustic version of 'Yellow' against the backdrop of the Television Centre building. The gig ended with a rousing version of 'Lovers in Japan' that involved showering the crowd with thousands of paper butterflies.

Leila Pinheiro: Nos Horizontes do Mundo - Ao Vivo(pt)

Fantasia(en)

Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.

Double You - Live(pt)

Interrupted Melody(en)

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

Death in Venice(en)

Benjamin Britten's 1973 opera, performed in 2008 at the Liceu Opera in Barcelona, Spain.

Ulysses(it)

A movie adaptation of Homer's second epic, that talks about Ulysses' efforts to return to his home after the end of ten years of war.

Orphee et Eurydice(en)

I usually don't like classic operas with modernized production and costumes. This one is an exception. The modernized twist is made to fit the story very well and makes watching this opera very enjoyable. Alagna as Orphee does a great job and and is more realistic than a female singer in the role. His impeccable french is an added bonus for french speakers like me. This is the version of this opera that you would want to watch without getting bored

Verdi Aida(en)

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.

Playing For Change Band – Live In Brazil(en)

Clash of the Titans(en)

To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken.

Janáček: The Cunning Little Vixen(cs)

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Mussorgsky: Khovanshchina(ru)

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Shostakovich: Lady Macbeth of Mtsensk(ru)

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

The Great Waltz(en)

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev(en)

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

Verdi: Otello(en)

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).

András Schiff plays Bach(en)

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971

BABYMETAL Live LEGEND 1999 - APOCALYPSE(ja)

LEGEND "1999" YUIMETAL & MOAMETAL Birthday Festival (LEGEND "1999" YUIMETAL & MOAMETAL 聖誕祭; LEGEND "1999" YUIMETAL & MOAMETAL Seitansai) was a concert held on June 30, 2013 at NHK Hall in Tokyo, Japan. This show celebrated the 14th birthdays of YUIMETAL and MOAMETAL. The concert started with BABYBONES, followed by the appearance of the KAMI BAND beginning with NO RAIN, NO RAINBOW. At the concert's end, it was announced that the LEGEND "1997" SU-METAL Birthday Festival would be held on December 21st.

BABYMETAL Live LEGEND 1997 - APOCALYPSE(ja)

LEGEND "1997" SU-METAL Birthday Festival (LEGEND "1997" SU-METAL 聖誕祭; LEGEND "1997" SU-METAL Seitansai) was a concert held on December 21, 2013 at Makuhari Messe in Chiba, Japan. This show celebrated SU-METAL's 16th birthday and marked BABYMETAL's first solo arena live performance.

Arabella(de)

2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ