Race Against Prime Time(1984)

Two Towns of Jasper(en)

Using two separate filmmaking teams (an all-white crew filming white residents and an all-black camera crew filming black residents), TWO TOWNS OF JASPER captures very different racial views by townsfolk in Jasper, Texas, the location for a racially motivated murder of an African American man in 1998.

The Green Girl(en)

A feature-length documentary about Star Trek's iconic original Green Girl, Susan Oliver: Prolific actress of the '50s - '80s, original member of the American Film Institute's Directing Workshop for Women, record-setting female aviator; Tragically taken by cancer in 1990. With over 120 major acting credits in film and television, Susan Oliver was literally a household name in the 1960's. She set a number of world records as a pilot and was one of the only women directing major TV shows in the 1980's. And yet many people don't even remember her name today. It's time to remember Susan Oliver...

But... Seriously(en)

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Notes on the Making of 'Berlin Alexanderplatz'(de)

Documentary about the making of the 1980 German television series.

Speakers for the Dead(en)

A film about small Ontario town's struggle to restore a desecrated African-Canadian cemetery and the resulting turmoil over it.

Briser le code(fr)

Quien dice patria dice muerte(es)

Revolution of Our Times(cn)

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.

After the Apology(en)

Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…

Secrets from Another Place: Creating Twin Peaks(en)

A select group of key creative forces involved in the making of Twin Peaks reveals their take on the fascinating creation and journey of the wildly popular show.

The Problem with Apu(en)

In the history of “The Simpsons,” few characters outside the title family have had as much cultural impact as Apu Nahasapeemapetilon, the Springfield convenience store owner. Comedian Hari Kondabolu is out to show why that might be a problem.

Too Black to Be French?(fr)

Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.

Turtle Power: The Definitive History of the Teenage Mutant Ninja Turtles(en)

In the spring of 1984, a strange new comic book sat beside cash registers in select shops, too big to fit in the racks, and too weird to ignore. Eastman and Laird's Teenage Mutant Ninja Turtles presented a completely original breed of super hero. It was too bizarre, too crazy. It broke all the rules and should never have worked. Until it sold out. Again and again and again. For 30 years. Now, peek under the shell and see how this so-called "happy accident" defied every naysayer to become one of the most popular and beloved franchises in the world.

Le Prince charmant est toujours blanc(fr)

The pupils of about fifteen secondary schools in the suburbs of Paris react to the projection of two short films taken from the series "No More Lies ! 12 perspectives on everyday racism". Their comments, questions and reactions are of course focused on the subject of racism, but they also take a stand about what it means to have two cultural identities. Is it enough to be born in France in order to feel French ? What is their vision of a society obsessed with the idea of integration? What do they expect of the future ? With their questions and their protests, they often put their finger on the heart of the issues at stake. Beyond fiction, we discover their reality...

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Salty Dog Blues(en)

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

The Rape of Recy Taylor(en)

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

The Re-Up(en)

A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.

We Are Not Our Parents(en)

Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.

Retrato em Preto e Branco(pt)

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.