Journalists Johan Persson and Martin Schibbye talk about the horrendous days in the desert, rail executions and false terror charges. They were arrested before they could report on the violence in the closed state of Ogaden. But the Ethiopian regime failed to silence them. With the help of never-before-seen video material and testimonies smuggled out of the country by a high ranking official, the whole story can finally be told. About Johan and Martin. About the violence in Ogaden. And about the prisoners of dictatorship.
Self
Journalists Johan Persson and Martin Schibbye talk about the horrendous days in the desert, rail executions and false terror charges. They were arrested before they could report on the violence in the closed state of Ogaden. But the Ethiopian regime failed to silence them. With the help of never-before-seen video material and testimonies smuggled out of the country by a high ranking official, the whole story can finally be told. About Johan and Martin. About the violence in Ogaden. And about the prisoners of dictatorship.
2013-10-14
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More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.
Americans refused to be drafted from the concentration camp at Heart Mountain, Wyoming. Ready to fight, but not before their rights as U.S. citizens were restored and families released.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
"The Star-Spangled Banner" is known by all, treasured for its powerful melody and stirring lyrics. And yet, only about 40% of U.S. citizens know all the words. And even fewer know their meaning. Join us as we travel back to 1814, when Washington D.C. was under British attack during the "Second War of Independence," and the very bricks and mortar of American democracy were reduced to smoking rubble. We examine the battle that inspired witness Francis Scott Key to immortalize its final moments, then reveal how his poem transformed into an anthem.
The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.
This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.
Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.
Documentary about the sinking of the Britannic during the First World War, examining how she ultimately came to suffer the same fate as her sister ship, the Titanic. The Titanic sank in April 1912, and her sister ship, the Britannic, ultimately suffered the fate, sinking in 1916 due to an explosion caused by an underwater mine. In the wake of the Titanic disaster, Britannic was re-engineered to be even stronger. And yet she sank in just 55 minutes - three times faster than Titanic. It's one of Britain's greatest untold disaster stories. Now on the 100th anniversary, presenters Kate Humble and Andy Torbet piece together exactly what happened in those 55 minutes. While Andy makes a dangerous dive to the wreck, Kate speaks to descendants of the survivors. The characters she uncovers include Violet 'Miss Unsinkable' Jessops, who survived both Titanic and Britannic, Captain 'Iceberg Charlie' Bartlett and lookout Archie Jewell, who miraculously survived while those around him died.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.