In search of the archival, Carmen-Sibha Keiso re-imagines theatre and film through personal narrative in her conceptual debut: Love & Fascism In The 21st Century. "... if Rappaport was in an art school." - Ferran Pla
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Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.
10.0Return to 'burn' only to find out you're already in that urn.
6.0Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.
6.0Trotín Troteras is the disinterested witness of the absurd situations lived first by a lecturer and then by a soldier with an umbrella, which opens when it stops raining and closes when it rains…
10.0Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
0.0Mônica and Camila walks at night. A strange sound surprises them. An object falls from the sky. They receive a message. Something evokes them.
0.0A young couple's last hours together before a trip that will separate them.
5.9The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
6.8Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
7.0A high school student has a mental breakdown and brings a gun to class. A standoff against the police ensues.
5.6Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
7.2In occupied Paris, an actress wed to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
5.0The boredom of a young middle-class woman at home a Sunday afternoon. Not to be confused with Carlos Saura's short of the same name produced in 1957.
6.2As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
9.0The Demented Cartoon Movie! is a 2001 Flash cartoon written, directed, drawn, animated, created, recorded, conceived of, responsibility claimed, filmed, edited, converted to standard transport elephant zucchini format and converted back again by Brian Kendall.
6.4Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.
5.5A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”
