Triassick Parking(1995)

Enter Hamlet(en)

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

The Tin Man(en)

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

Elephants Dream(en)

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

Bambi Meets Godzilla(en)

In this Epic Crossover between Godzilla and Bambi only one will come out on top? Preserved by the Academy Film Archive in 2009.

Boxing Fever(en)

Fairground boxing booth where visitors try to knock out the champion and win five pounds, the first contestants is knocked out but the very eager (and possibly drunk) third man knocks out the champion and overcome with "boxing fever" rushes out punching at everybody and everything he meets. (britishpathe.com)

Mrs. Pussy Loves Animals(fr)

Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.

The Vagabond(en)

A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.

My Aunt, My Cousin(pt)

Réflexion(es)

Mickey Mouse Disco(en)

A clip-show music video for the album of the same name and vintage. Includes 5 songs from the album ("Mousetrap", "Disco Mickey Mouse", "Watch Out For Goofy", "Macho Duck", "Welcome To Rio").

Blue & Malone, Imaginary Detectives(es)

Gobinchu, Marc's imaginary friend, has disappeared. Berta, his younger sister, hires detectives Blue & Malone, a giant cat and a plasticine dog, to investigate what happened. Together, they tour the house living many adventures and knowing and facing numerous fantastic creatures.

Pony Place(nl)

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

The Golem and the Dancing Girl(de)

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Jus' Passin' Through(en)

At Thanksgiving, a tramp arrives in a homeless-hostile town.

Big Buck Bunny(en)

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

Resurrection of a Corpse(ja)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Rigadin No Longer Loves Cinema(en)

Rigadin and his rival use camera/projector systems to reach their objectives.

The Pawnshop(en)

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

The Count(en)

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

How the Telephone Talks(en)

"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.