In the Eye of the Beholder(2020)

Quando A Noite É Vermelha(pt)

May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.

Fragments(en)

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

Cut Piece(en)

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

Maria: Don't Forget I Come From the Tropics(pt)

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

Coronavirus(en)

As the WHO warns the coronavirus is reaching a dangerous tipping point, watch the most up to date and comprehensive account of the extraordinary chain of events that have left the world on the edge of a pandemic.

Yayoi Kusama(en)

Yayoi Kusama born March 22, 1929 is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, scat sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol, Claes Oldenburg and Yoko Ono.

Yayoi Kusama: I Love Me(ja)

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete her series of 50 large monochrome drawings. As her work comes to life, one can witness the essence of her art as it wells up in the conflict between life, death, and love.

The Price of Everything(en)

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

Earth Hum(en)

“Earth Hum” is dedicated to Rachel Martin’s Family Tree, a drawing that combines art, earth, and love all into one. In a conversation with Martin, we learn a little bit more about her art told through her own voice and drawings as well as the ethereal presence of friends and old Super 8 footage. Like Martin says, in art, you see that there are magical things happening but it is really very human.

The Big Wheel(en)

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

10 Letters to the Future(fi)

10 Letters to the Future is a documentary film that is a mid-term review in a world of intertwined crises. It is a puzzle, a kaleidoscope that enables a multi-voiced debate in society. The collectively made film was conceived in the era of the Coronavirus, when the reality of global anomalies pierced everything we took for granted. It was a time that caused many to reassess their lives in a new light. What happened to us and what kind of future do we want to be heading towards? Virus researcher, climate activist, political scientist and anti-vaccine protesters see the future challenges facing our society in a very different light. As the virus takes over the world, schoolchildren start collecting letters to be encapsulated in a wooden coffin built by students to be opened more than 50 years from now. The main characters in the documentary write their letters, addressing their loved ones or something unknown in the future.

Screen Test: Marisol(en)

Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.

Bob Indiana, Etc.(en)

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

'Orsay(pt)

Segantini: Back to Nature(it)

Giovanni Segantini rose from humble origins to become the most important of Italian pointillists, and one of the most important symbolist painters in the 19th century. This film focuses on his way of feeling nature as a source of artistic and spiritual inspiration.

Si Monumentum Requiris, Circumspice(en)

A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.

Conversations Between Shifts(en)

A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.

Only Day and Night(pl)

A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.

3 Still Standing(en)

Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.

Willy Johansson – Der Glasmeister aus Norwegen(no)