
Documentary about the "cárcel vieja" of Murcia
5.2Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)
4.0Spanish jurist and republican thinker Antonio García-Trevijano (1927-2018) expounds his political thought and reflects on the recent political history of Spain.
4.0Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…
6.5The story of iconic Spanish artist Susana Estrada's struggle against censorship and sexual repression during the turbulent years following the death of dictator Francisco Franco.
5.0Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).
7.4On August 7th 1974, French tightrope walker Philippe Petit stepped out on a high wire, illegally rigged between New York's World Trade Center twin towers, then the world's tallest buildings. After nearly an hour of performing on the wire, 1,350 feet above the sidewalks of Manhattan, he was arrested. This fun and spellbinding documentary chronicles Philippe Petit's "highest" achievement.
0.0San Sebastian, Basque Country, Spain, June 27, 1960. A bomb explodes at the Amara train station. Begoña, a child of only twenty months, dies a few hours later as a result of the injuries sustained in the attack.
6.3A documentary about juveniles who are serving life in prison without parole and their victims' families.
0.0The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
8.0A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.
8.0The St. Valentine's Day massacre is the stuff of American legend, and the tale is familiar to nearly everyone. But the story of that bloody day in Chicago has never been told, or seen, like this before. Cutting-edge graphics and frenetic recreations accompany Johnny Fratto, son of onetime Al Capone-associate Louis "Lew" Fratto, back to Chicago, where he uncovers massacre myths and learns more about the life his father and uncles led when they roamed those lawless streets in the 1920s. Johnny gets guidance and opinions from a team of renowned Chicago gangster experts, and bridges the gap between the stories he heard as a little boy and the reality he lived growing up in a mob family. Johnny's take about what happened on Feb. 14, 1929 will surprise you.
8.0The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.
7.0Three women are in enclosed psychological zones that function as both refuge and jail.
7.5The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
5.4Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?
6.7Waffen-SS officer Otto Skorzeny (1908-75) became famous for his participation in daring military actions during World War II. In 1947 he was judged and imprisoned, but he escaped less than a year later and found a safe haven in Spain, ruled with an iron hand by General Francisco Franco. What did he do during the many years he spent there?
7.3Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.
Omar and Pete are determined to change their lives. Both have been in and out of prison for more than 30 years — never out longer than six months. This intimate and penetrating film follows these two longtime African-American friends after what they hope will be their final release. Their lives take divergent paths in their native Baltimore as one wrestles with addiction and fear while the other finds success and freedom through helping others. With extraordinary cooperation from Maryland's innovative reentry programs — many run by former drug addicts and convicts themselves — Omar & Pete also provides a rare glimpse into an intense and very personal web of support.
7.0In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
7.2A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.
