Diaspora: Arirang Road(2019)

Cuban Rafters(es)

The story of Cuban refugees who risked their lives in homemade rafts to reach the United States, and what life is like for those who succeed.

Ryeohaeng(ko)

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

Is My Living In Vain(en)

Is My Living in Vain is a meditation on the continuing history and emancipatory potential of the Black church as a space of belonging, affirmation and community organising. Combining shot footage, oral histories and archive material from both sides of the Atlantic, the film follows a tangled thread of personal and collective memories to interrogate the church’s contribution to a Black radical tradition.

Wolsong: Vanishing Town(ko)

Arada(de)

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Don't Cry for Me Sudan: Shukran Baba(ko)

Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.

Blue Butterfly Effect(ko)

The small county of Seongju staged protests against the THAAD. Young mothers led protests from concerns about their kids and the exposure to radiation. Gradually, they learn the system is faulty.

Remembrance Of Yusin(ko)

Sound of Nomad: Koryo Arirang(ko)

The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang

Soon Come Back(en)

Soon Come Back is a poetic documentary about migration’s effect on Nande's relationships to “home” in Jamaica and the US, and her feelings of alienation being a child of the diaspora.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Gureombi, The Wind is Blowing(ko)

The story of the ancient and sacred Gureombi Rock. The story of the people of Gangjeong Village who rise up against the construction of a US/Korea Naval base on their holy and precious land. The winds of peace, like the winds of Jeju Island, are blowing.

Goodbye My Love, NK(ko)

Where you are born is called “hometown”. What do you call where you are buried? A story about 8 North Koreans who went to Moscow Film School in 1952, and sought political asylum in 1958 after denouncing KIM Ilsung. Their lives as Koreans and as filmmakers are captured through images from Moscow to Kazakhstan.

The Lebanese Burger Mafia(en)

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

Don't Cry for Me Sudan(ko)

A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.

My Love, Don't Cross That River(ko)

There lives a couple known as "100-year-old lovebirds". They're like fairy tale characters: the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other, wear Korean traditional clothes together, and still fall asleep hand in hand. However, death, quietly and like a thief, sits between them. This film starts from that moment, and follows the last moments of 76 years of their marriage.

Eastern Memories(fi)

At the turn of the 19th and 20th century Finnish philologist G. J. Ramstedt travelled around Mongolia and Central-Asia. In this documentary Ramstedt’s memoirs are heard in the modern day setting, where tradition is replaced with hunger for money, and deserts give way to cities.

The VICE Guide to North Korea(en)

"Getting into North Korea was one of the hardest and weirdest processes VBS has ever dealt with. They finally said, “OK, OK, you can come. But only as tourists.” At the airport, the North Korean consulate brought us to a restaurant and these women came out and started singing North Korean nationalist songs. We were thinking, “Look, we were just on a plane for 20 hours. Can we just go to bed?” but this guy with our group who was from the LA Times told us, “Everyone in here besides us is secret police. If you don’t act excited then you’re not going to get your visa. So we got drunk and jumped up onstage and sang songs with the girls. The next day we got our visas. A lot of people we had gone with didn’t get theirs. That was our first hint at just what a freaky, freaky trip we were embarking on…" -VICE Founder Shane Smith

Project Cheonan Ship(ko)

Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.

Our Algeria(ar)

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.