
The gripping story of Robert King Wilkerson, Herman Wallace, and Albert Woodfox, men who endured solitary confinement longer than any known living prisoner in the United States. Politicized through contact with the Black Panther Party while inside Louisiana's prisons, they formed one of the only prison Panther chapters in history and worked to organize other prisoners.

The gripping story of Robert King Wilkerson, Herman Wallace, and Albert Woodfox, men who endured solitary confinement longer than any known living prisoner in the United States. Politicized through contact with the Black Panther Party while inside Louisiana's prisons, they formed one of the only prison Panther chapters in history and worked to organize other prisoners.
2008-04-01
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5.3SERVING LIFE documents an extraordinary hospice program where hardened criminals care for dying fellow inmates. Narrated and executive produced by Academy Award®-winner Forest Whitaker, the film takes viewers inside Louisiana's maximum security prison at Angola, where the average sentence is more than 90 years.
1.0Angola Do You Hear Us? Voices from a Plantation Prison tells the story of playwright Liza Jessie Peterson's 2020 performance of her acclaimed play The Peculiar Patriot at Angola, the Louisiana State Penitentiary, America’s largest prison.
7.2Documentary depicting day to day life in Angola Prison mostly from an inmate's perspective. Interviews are with several inmates including one with a life sentence who is about to die.
0.0In 1995, Jerry Brown, 18, was sentenced to life without parole for murder at Angola (Louisiana), America's most infamous maximum-security prison. He is now the star of the Angola Prison Rodeo. Each Sunday in October, inmates battle bulls without training for a few seconds of fame and some money. For Angola's warden, the proceeds of the rodeo fund the religious education of his inmates. "Razor Wire Rodeo" tells the unflinching story of lives defined by violence and crushed by the pitiless corrections practices in Louisiana. Jerry Brown believes his fame will help him to get out of Angola. But in a state, that hardly ever grants clemencies, his battle against the bull is symbolic of a fight for freedom lost a long time ago.
Known for years as one of the most dangerous maximum-security prisons, Louisiana State Penitentiary at Angola is the setting for one of the most moving concerts ever given by The Brooklyn Tabernacle Singers. Recorded live, this new DVD features a magnificent, full concert PLUS a powerful docu-video complete with inmate interviews and testimonies focusing on the amazing spiritual revival that is occurring within the prison.
0.0This documentary depicts the life inside the walls of the Louisiana State Penitentiary at Angola. See what life is like inside Angola, a self-sustaining agricultural community that boasts five new churches and its own inmate-run TV and radio station.
7.0The Wildest Show in the South: The Angola Prison Rodeo is a 1999 American short documentary film directed by Simeon Soffer. It focuses primarily on the inmates experiences in the rodeo. For a lot of those prisoners, the rodeo seems to be the only thing they have to look forward to. It was nominated for an Academy Award for Best Documentary Short.
What have a young English girl and a Black Panther convicted of murder got to say to each other?
Three black man collectively have wrongly served 100 years in solitary confinement.
0.0Velvet Underground's first public appearance.
5.8Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.
0.0During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.
The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.
5.2This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.
6.3This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.
5.8Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.
6.5Filmed in 1950 soon after Jonas Mekas arrived in New York, this short documents everyday life in Williamsburg, Brooklyn. It was the first film he shot with his 16 mm Bolex camera, but he did not edit and present the footage until 2003, making it both his earliest and one of his final works on film.
6.9Compiled from two decades of travels through Europe, Jonas Mekas’s Travel Songs gathers five diaristic segments filmed in Avila, Stockholm, Moscow, and Assisi. Shot with his characteristic spontaneity and playfulness, the film turns casual sightseeing into a lyrical meditation on place, memory, and movement.