Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
This intimate and loving portrait of the legendary arbiter of fashion, art and culture illustrates the many stages of Vreeland's remarkable life. Born in Paris in 1903, she was to become New York's "Empress of Fashion" and a celebrated Vogue editor.
In the hazy aftermath of an unimaginable loss, Sarah and Phil come unhinged, recklessly ignoring the repercussions. Phil starts to lose sight of his morals as Sarah puts herself in increasingly dangerous situations, falling deeper into her own fever dream.
Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.
The dance performance “Kontakthof” bears the unmistakable signature of Pina Bausch: it deals with forms of human contact, encounters between the sexes, and the search for love and tenderness, with all its attendant anxieties, yearnings and doubts. It is a dance about feelings, which always pose a big challenge – particularly for young people. Teenagers from more than eleven schools in Wuppertal went on an emotional journey that lasted almost a year. Every Saturday, forty students aged between fourteen and eighteen years of age took part in rehearsals that were led by Bausch-dancers Jo-Ann Endicott and Bénédicte Billiet and intensely supervised by Pina Bausch herself.
In 1939, Sakura Nishi is a young army nurse who is sent to the field hospitals in China during the Sino-Japanese war. She has to assist the surgeon Dr. Okabe with an incredible number of amputations. In the crowded wards, she gives sympathy to some of the soldiers, including sexually servicing one who has lost both arms and has no hope of returning home. She falls in love with Dr. Okabe, and follows him to the front, even though he is impotent from his morphine addiction.
This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.
To pay off his loan shark, failed actor Ryōsuke Kinuta is forced to smuggle dead bodies – and one live elite assassin – in the middle of the night.
Carrying his son on his back, a man travels from place to place looking for a doctor to treat the sick boy. As they journey, the indio father tells the boy stories to keep him distracted. These stories reveal the life of native peoples in Mexico, both in the countryside and in cities, and they shed light on characteristic beliefs and rituals.
Lisbon Story is Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.
The history of Sound City and their huge recording device; exploring how digital change has allowed 'people that have no place' in music to become stars. It follows former Nirvana drummer and Foo Fighter David Grohl as he attempts to resurrect the studio back to former glories.
A young man searches for the "master" to obtain the final level of martial arts mastery known as the glow. Along the way he must fight an evil martial arts expert and rescue a beautiful singer from an obsessed music promoter.
One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.
German-Jewish cabaret singer Nelly survived Auschwitz but had to undergo reconstructive surgery as her face was disfigured. Without recognizing Nelly, her former husband Johnny asks her to help him claim his wife’s inheritance. To see if he betrayed her, she agrees, becoming her own doppelganger.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
In the French harbor city of Le Havre, fate throws young African refugee Idrissa into the path of Marcel Marx, a well-spoken bohemian who works as a shoe-shiner. With innate optimism and the tireless support of his community, Marcel stands up to officials pursuing the boy for deportation.
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of A Chorus Line and also investigates the history of the show and the creative minds behind the original and current incarnations.
From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.
Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts.
BTS perform their Japan concert at Tokyo Dome and Fukuoka Yahuoku Dome during their Love Yourself World Tour.
American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.
Among the most acclaimed choreographers in American history, Paul Taylor has been reinventing the roles of music, movement and theme in dance for nearly 60 years. In that time he has offered only glimpses into his creative process. Creative Domain is a rare in-depth documentation of how he creates a single dance. Through the lens of award-winning cinematographer Tom Hurwitz, we see Paul’s non-verbal communication with his dancers. Below the surface of this dance and the many works that came before, is Paul’s power of acute observation, revealing a side to his choreography that is strangely prophetic. The dominant voice is Paul’s, between the guarded and unguarded moments we see him with new eyes and new understanding.
Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.
The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.
A history of the work of Merce Cunningham.
A glimpse into the world and methodology of dancer Martha Graham.
Witness the never-before-seen footage and true story behind the John Wick phenomenon – from independent film to billion-dollar franchise.
Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.
Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.
BTS perform their New York concert at Citi Field Stadium during their Love Yourself World Tour.
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.