Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
2006-02-18
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Winnie the Pooh and friends decide to throw a birthday celebration for gloomy, old Eeyore.
In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.
Prep and Landing: On Christmas Eve, a high-tech team of elves from an elite unit known as "Prep & Landing" ensures homes around the world are prepared for Santa's visit. But when two hilarious little elves face unexpected challenges and are pushed to their limits, it'll take a great big effort to save the season. Prep and Landing: Naughty vs. Nice: The outrageous yuletide adventures of Christmas elves Lanny and Wayne continue in this totally tinsel adventure that reminds us there's room for everyone on the 'nice' list. Santa's stealthiest little elves must race to recover classified North Pole technology, which has fallen into the hands of a computer-hacking naughty kid, in an effort to stop Christmas from descending into chaos.
Trnka brings to life a surrealist circus of tightrope-walking fish, musical monkeys, balancing bears, and high-flying acrobatics in this whimsical feat of cutout animation made in collaboration with leading Czech painters of the era.
The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.
Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.
After Saddam Hussein had the Kuwait Oil wells lit up, teams from all over the world fought those fires for months. They had to save the oil resources, as well as reduce air pollution. The different teams developed different techniques of extinguishing the fires. Man's emergency creativity can be seen at it's best.
In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.
This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.
A short animation by Makoto Shinkai in Lightwave 3D. Inspired by Haruki Murakami's book "Hard-Boiled Wonderland and the End of the World" with music by Tenmon.
Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.
In a concert, one of the musicians suddenly rushed to the sky. There he waits at St. Peter's Gate to be received. Inside, pathetic music is played. A musician plays jazz. The angels begin to tremble in rhythm
A boy is by an accident a member of a crew that is going to travel to the moon.
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.