“Regina Spektor: Live in London” — that’s what it’s called, and that’s what you get. Eighteen songs, performed in December 2009 at the Hammersmith Apollo, with an absolute minimum of onstage chatter and dollops of stylishly grainy, MTV-like filler: Ms. Spektor on the plane from New York, driving through London, applying makeup before the show. It’s perfectly tasteful, a fine showcase for her music and, more important, a fine promotional tool for the accompanying CD and DVD (which — surprise — contain four additional songs).
“Regina Spektor: Live in London” — that’s what it’s called, and that’s what you get. Eighteen songs, performed in December 2009 at the Hammersmith Apollo, with an absolute minimum of onstage chatter and dollops of stylishly grainy, MTV-like filler: Ms. Spektor on the plane from New York, driving through London, applying makeup before the show. It’s perfectly tasteful, a fine showcase for her music and, more important, a fine promotional tool for the accompanying CD and DVD (which — surprise — contain four additional songs).
2010-11-22
7.1
Since their formation in 1990, Opeth has risen to the forefront of the metal world; bringing many aspects of progressive rock/metal to a whole new audience by combining soft acoustic ambience with complex, melodic and heavy guitars, perfectly concocted into a completely peerless sound. This DVD contains a captivating Opeth performance from the Camden Roundhouse, London, in 2006. It shows the band in perfect form playing a selection of classics from their illustrious career. The Roundhouse Tapes was filmed during the band's Ghost Reveries tour on 9th November 2006.
In this DVD release of their PBS-TV special "Carry It On", the trio recalls the beginnings of the cultural revolution of the '60's, when music emerged as a unifying force amidst the turbulent currents of social change. Carefully chosen archival footage traces the group's phenomenal career, as a musical and personal story is told through selected concert and interview segments.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
Lilith meets the Ghastly brothers, a pair of strange ghost hunters, at boarding school. When the school falls prey to an infestation of ghosts, they go head-to-head against a horde of fearsome spirits and demonic apparitions in a supernatural battle to save the day.
Legendary rock impresario Bill Graham closed the Fillmore West in early summer 1971 with five nights of all-star concerts, the last curtain going down on July 4. The storied San Francisco venue had become an institution, an integral part of the West Coast music scene of the '60s and, now, an essential element of the mythology of rock 'n' roll. Always the showman, Graham made sure the Fillmore West was sent off in a blaze of glory, spotlighting bands - including the Grateful Dead and Santana-that rose to fame at the hall. The madness leading up to the shows and the concerts themselves were filmed for FILLMORE: THE LAST DAYS, a gritty, behind-the-scenes look at a fascinating moment in rock history and a showcase for great performances by iconic artists who epitomized 'the San Francisco Sound.' Originally released in 1972 and long out-of-print, the documentary film makes its DVD debut with Rhino's landmark reissue.
Barnet, a bandit, and the eight men of his band lie waiting in a Texan village. Having confined the people of the village to their homes, they rob the stagecoach which arrives in town carrying a cargo of US $ 100,000 in gold. After the robbery, the bandits take refuge in a deserted mine but a post officer, Dove Williams, is on their track.
Little cowboy-fella, believed to be an orphan, helps his sheriff buddy to stamp out crime. Second of two in series.
Benedict Arnold is not the villain of American history most people were taught to believe. New facts and never before presented material illuminate his heroic contributions to the American Revolution and explains his later change of allegiance.
Penelope Spheeris presents an amazing chronicle of the travelling musical carnival known as OZZfest, the most successful summer concert tour for the last five years. Complete access to incredible material sends this documentary film into the realm of pure entertainment. Unforgettable moments from zealous religious protesters, outrageous fans and the guys (and girls) backstage provide an insightful view into the soul of white, middle-class America. A stunning and sometimes disturbing glimpse of a cultural movement, this film is sure to be a reference for historians for decades to come. This comment on Middle America skates the line between your worst nightmare and the best time you’ve ever had. Features interviews with, and performances by BLACK SABBATH, SYSTEM OF A DOWN, SLIPKNOT, PRIMUS, ROB ZOMBIE, GODSMACK and more.
The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.
Designed by Josef Maria Olbrich in 1898, the main exhibition hall of the Vienna Secession is generally regarded as one of the first White Cube Spaces of art history. The myth of the neutral space has a long tradition of being critically examined by the institution itself. Using 19 specially designed cameras, Main Hall adds a purely cinematographic gesture to the space’s history by having it look at its own architecture.