Reticulum Rex(2003)

Nothing to Hide(en)

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

Paywall: The Business of Scholarship(en)

Paywall: The Business of Scholarship is a documentary which focuses on the need for open access to research and science, questions the rationale behind the $25.2 billion a year that flows into for-profit academic publishers, examines the 35-40% profit margin associated with the top academic publisher Elsevier and looks at how that profit margin is often greater than some of the most profitable tech companies like Apple, Facebook and Google.

This Land Is Our Land(en)

For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.

Get Creative!(en)

CC’s signature animated film covers the basics of why we formed, what we do, and how we do it.

Good Copy Bad Copy(en)

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

Nasty Old People(en)

Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Capturing Water(af)

Capturing Water delves into Cape Town’s escalating water crisis, a growing emergency in recent years. As pollution of natural water sources worsens and industrial and urban developments threaten access to clean water, government responses remain inadequate.

Watch You Rise(en)

Follows Isabella Grace Cohn as she works to understand and expose the roots of sexual harm — her peers’, her mother’s, and eventually her own. Along the way, she meets diverse survivors, perpetrators, and experts. Together they explore the cultural, educational and legal gray areas that fuel the cycle of harm in a quest for hope and transformation.

Oldemors reise(no)

Kvendetektivene(nb)

Under en annen himmel(nb)

This Is My Body(fr)

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.

Awal: Nasib Manusia(id)

During the era of President Soekarno, several students were selected to study abroad, including Awal Uzhara, Sjumandjaja, Ami Priono, and Zubair Lelo. They were sent to Russia to study cinematography at VGIK (The Gerasimov Institute of Cinematography). Sjumandjaja and Ami Priono went on to become famous directors in Indonesia, but Awal Uzhara never had the same fortune. After completing his Master's degree in Moscow around 1965, political instability in Indonesia arose. The country's background, where Awal had studied, became associated with a negative stigma about communism, which was linked to him.

Ali Eats America(en)

17-year-old Ali Allouche, who is battling cancer, binges on food shows during his chemo treatments. Inspired by Anthony Bourdain’s "Parts Unknown," Ali plots a cross-country adventure to visit innovative chefs and immerse himself in America’s rich food culture.

The House of Clemens(en)

Toby Hadoke visits Brian Clemens widow and sons to discusses his life and career.

Apollo 1: Destination Moon(en)

At the height of the space race, three U.S. astronauts are tapped as the first Apollo crew. With dazzling archival footage and exceptional access, this riveting documentary explores the tragic events that followed, shaking NASA to the core.

The Birth of a Newspaper(de)

A documentary following the production of a daily newspaper.

Womb Rights & Wars(en)

Sarah and Kate find themselves as activists amid a war for reproductive rights in Florida and beyond. Together, they are more than business partners. They are best friends who find strength in one another to continue their hard work.

The Nest(en)

When her mother decides to sell their house, decolonial writer Julietta Singh returns to her childhood home on the Assiniboine River to say goodbye. As Singh listens to the stories embedded in its walls, the house reveals 140 years of overlooked histories—Japanese, Deaf, Métis, Indigenous, and Irish women whose lives, like Singh’s, were shaped by resistance and care. In this genre-defying, cross-community film, the home becomes more than a personal archive, transforming into a site of radical feminist possibility.