Black Snake Killaz is a feature-length documentary film about the resistance to the Dakota Access Pipeline. This film explores actions taken by water protectors to stop the construction of the oil pipeline and highlights actions taken by law enforcement, military, and corporate mercenaries to quell the months-long protest. Black Snake Killaz timelines the historical events that unfolded in Standing Rock throughout 2016 and brings you the raw experience from many frontline actions to protect the water. Although the Dakota Access Pipeline is completed, the impact of the movement will be long-lasting. As fossil fuel extraction projects continue to impact some of the most vulnerable communities throughout the United States of America, the importance of the water protectors story grows.
Narrator

Black Snake Killaz is a feature-length documentary film about the resistance to the Dakota Access Pipeline. This film explores actions taken by water protectors to stop the construction of the oil pipeline and highlights actions taken by law enforcement, military, and corporate mercenaries to quell the months-long protest. Black Snake Killaz timelines the historical events that unfolded in Standing Rock throughout 2016 and brings you the raw experience from many frontline actions to protect the water. Although the Dakota Access Pipeline is completed, the impact of the movement will be long-lasting. As fossil fuel extraction projects continue to impact some of the most vulnerable communities throughout the United States of America, the importance of the water protectors story grows.
2017-11-15
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5.3Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
0.0Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
0.0The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.
0.0A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.
6.7Guy Debord's analysis of a consumer society.
Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.
Award-winning director Yoav Shamir (Defamation, Checkpoint) sets out on an entertaining and insightful international quest, exploring the notion of heroism through a multi-faceted lens. From ordinary heroes to freedom fighters, primates to humans, behavioral scientists to geneticists, even Ayn Rand to Raelians, Shamir leaves no stone unturned, and along the way unveils the fundamental truths of human nature.
0.0Believing he was sacked unjustly from his job as an engineer in a big Japanese corporation, Tanaka Tetsuro has protested outside the company gate every morning for 25 years. Is he an obsessive? Why does he do this? After meeting him on the Internet the filmmakers travel to Japan in time for the 25th anniversary of his protest. They discover that in a world that places a premium on conformity, Tanaka-san has found a way to become himself.
0.0Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
6.7The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
6.3In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
0.0A fearless horse bonds two men to each other and to the traditions that define their community.
1.0A story of the exploits carried out by the oil technicians of Baku for the exploitation of the black gold deposit of the Caspian Sea.
0.0The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.
5.8Filmed during the 2016 Standing Rock protests in South Dakota, Sky Hopinka's Dislocation Blues offers a portrait of the movement and its water protectors, refuting grand narratives and myth-making in favour of individual testimonials.
4.2The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
Getting Down to Earth Again, is a black and white motion picture, produced by Caravel Films Inc. for the Socony-Vacuum Oil Company, Inc., and was about lubricants and proper lubrication of machinery. In 1931, the Socony (Standard Oil Company New York) and the Vacuum Oil Company merged forming the Socony-Vacuum Corp. In 1955, it became the Socony Mobil Oil Company and currently Mobil. Caravel Films Inc. was active in 1932, but no other information was found. This film was probably produced between 1940 and 1942.
8.0Disobedience tells the David vs. Goliath tale of front line leaders battling for a livable world. Filmed in the Philippines, Turkey, Germany, Canada, Cambodia and the United States, it weaves together these riveting stories with insights from the most renowned voices on social justice and climate. Disobedience is personal, passionate and powerful - the stakes could not be higher, nor the mission more critical.
7.0In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”