"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)
1988-01-01
8
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)
In 1977, two golden records containing recordings of life on Earth were launched into space on the Voyager probes. A message in a bottle to extraterrestrial life. They also included the brainwaves of human love.
In this musical comedy, a motley band of musicians have only their extreme poverty in common. They end up writing a hit and getting a recording contract. The trouble is, the composer's works are never played without another band member doctoring them up to make them swingier. Fortunately, the composer isn't too averse to the changes as he has just won the heart of the beauty who sings his revamped songs.
A short film showing a rehearsal and live performance by Jeanne Balibar. Costa would go on to make a feature-length documentary with the same title and subject matter in 2009.
Four female friends reunite after 15 years and old resentments resurface. Soon afterwards, one of them is found dead. The police tries to determine whether it was suicide or murder.
Investigating judge at the 3rd Criminal Chamber of Marseille, Françoise Larchey is the wife of Jean-Pierre Larchey, a famous architect of the Coast. The couple has a son, Valentin, seventeen years old... The death of Edith Mesniel, a local political figure, puts the town in turmoil. But when Emilie, Edith's only daughter and Valentin's girlfriend, confides to Françoise that her mother's death was not accidental, Madame le Juge decides to look into the case. By attacking this case, Françoise disturbs many people. She receives death threats, her son and Emilie are also threatened but she refuses to give up. And she discovers little by little that the mafia infiltrated in all the country.
In a city on Spain’s Costa Brava, Clara Valverde, a young beautiful woman, lives with her husband Juan. Juan is an architect and has planned a daring urbanistic project. In reality, the project is not viable. Clara, to keep her marriage and finances a float, works as a porno actress in an underground film industry. In spite of her job and her marriage, Clara is still a virgin. Her marriage has never been consummated because her husband is impotent for which she blames herself. In her work she does not allow to be penetrated. One day she goes to a reunion with Kellerman, an American millionaire who seems to be interested into put into fruition Juan’s project. However soon Clara learns that what he really wants is to blackmail her. The owner of the house, Jorge, finds out Claras’s real occupation and if she does not have sex to the American would tell everything to her husband.
N!xau (G/qa'o), the star of The Gods Must Be Crazy (1980), is visited in 1990 and shortly before his death in 2003; the way he and his fellow San (Bushmen) people live is not the idyllic lifestyle portrayed in the 1980 film.
The film revolves around Shahrol, a 28 year-old bike enthusiast, who comes to Kuala Lumpur (KL) in search of a better life. It was there that he meets Ayu, a naive village girl, in search of her boyfriend. The two began to bear feelings for each other, but the road was not without thorns. Shahrol finds himself being challenge by Pit, who wants to upstage the one skill that Shahrol is passionate about... motor-racing.
A crew of railroad workmen are busy along the tracks of the Lehigh Valley Railroad. When the Black Diamond Express appears in the distance, they begin to pull back from the rails to clear the way. As the train approaches their work site, some of them begin to wave at it.
A Tyrolean dancing couple, accompanied by a musician, perform a traditional folk dance in a park in Cologne.
The Capulets and Montagues are sworn enemies. Yet it is love at first sight for Romeo Montague and Juliet Capulet when they meet each other at the Capulet ball, into which Romeo has snuck. The two fall in love and they profess their devotion to each other at Juliet’s balcony. They secretly get married.
In Granada in Spain, Sibilla works as a dancer in a squalid cabaret called El Dorado, struggling to earn enough to care for her sick child. The boy's father Estiria, a prominent citizen, refuses them both help and recognition, fearful of jeopardising the engagement of his adult daughter Iliana to a wealthy nobleman. Iliana however slips away from her engagement party to meet her real lover Hedwick, a Swedish painter. Sibilla, in desperation after a further rejection by Estiria, sees an opportunity to blackmail him by locking the lovers overnight in their meeting-place in the Alhambra.
After discovering their lodge totaled by a neighboring camp, two counselors are stalked and prayed upon by the local legend Terrance Fisher in his slapstick parody.
The film tells the story of Grace, who is still grappling with the disappearance of her daughter five years earlier, and her husband Lukas, who is trapped in his own helpless grief. He and Grace have long since stopped communicating. As Grace confronts a series of small absurdities in her apartment building, Lukas finds himself unable to complete even the simplest of daily tasks. When something truly heartbreaking happens in a family, the deepest response is often unspoken.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
The timeless photographs of Ansel Adams have made him one of the most recognized and admired names in art. This intimate look at the man and his work details his position as a staunch environmentalist and how his art reflected his strong worldview. David Ogden Stiers narrates this profile produced for the PBS series "American Experience," which was directed by Emmy-winning documentarian Ric Burns.
30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.
Film reconstruction of five real stories about the heroic deeds of the residents of Kyiv region during the Russian occupation. A story about those who heroically and selflessly saved tens of thousands of Ukrainian lives.
A collection of shorts made by various directors in response to 9/11.
Football seen through the eyes of some of the best directors of the world.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
Anthology film made as an act of protest against Hungarian government of Viktor Orban.
Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.
Hot Docs will commemorate Canada's 150th anniversary of Confederation with the commissioning of In the Name of All Canadians, a compilation of six short documentaries inspired by Canada’s Charter of Rights and Freedoms. From Indigenous rights to multiculturalism to the controversial ‘notwithstanding clause,’ participating filmmakers have each selected a specific aspect of the Charter to explore, looking at how it resonates in the stories of their fellow Canadians.
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
Embark on a mesmerizing musical journey through the multi-faceted history of Korean American immigrants in Hawaiʻi with SONGS OF LOVE, a captivating reverie of song and history.
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
Irwin Allen explores the mysteries of the deep blue sea in this Technicolor documentary. Based on Rachel L. Carson's famous study, this Oscar winning project investigates everything under the sea, from sharks, whales and octopuses to microscopical creatures and their coexistence in this vast underwater world.