Los ojos perdidos(1966)

Butterfly(es)

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

La fossa(es)

The Spirit of the Beehive(es)

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

The Wall(sq)

An adaptation of the J.P. Sartre story "Le Mur". What goes on in his mind and what happens outside when he has left only few more hours left to live. The existential dilemmas of a prisoner condemned to death from a repressive regime for his participation in a resistance movement and his friendship with the leader of this resistance. When all seems lost and he has already given up the most unlikely coincidence changes the course of events and his life.

Carmen and the Reds(es)

Javier Navarro, a Falangist, is ordered to infiltrate Republican Madrid to deliver a message to a member of the Fifth Column.

Head in the Clouds(en)

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

The Five Moons of Lorca(es)

A short opera about the assassination of poet and dramatist Federico García Lorca at the hands of Nationalist forces at the beginning of the Spanish Civil War.

The Anarchist's Wife(es)

Manuela is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years pass without a word from him, but his wife never gives up hope of seeing him again.

For Whom the Bell Tolls(en)

Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.

The Fallen Sparrow(en)

Imprisoned during the Spanish Civil War, John "Kit" McKittrick is released when a New York City policeman pulls some strings. Upon returning to America, McKittrick hears that a friend has committed suicide, and he begins to smell a rat. During his investigation, McKittrick questions three beautiful women, one of whom has a tie to his refugee past. Pursued by Nazi operatives, McKittrick learns of the death of another friend, and begins to suspect the dark Dr. Skaas.

The 13 Roses(es)

True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940s. Despite of their innocence, the thirteen were soon executed without even a trace of evidence of any wrong doing.

May I Speak with the Enemy?(es)

Madrid, Spain, 1936. The young Miguel Gila lives happily with his grandparents in a humble attic; but the outbreak of the Civil War forces him to go to fight.

The Death of Federico(fi)

Spanish poet Federico García Lorca is condemned to death by Captain Nestares after an absurd interrogation that serves to make it clear to the people that the Spanish Civil War is a war of ideas, and that there is no place for individuals like Lorca in Spain.

Five Cartridges(de)

It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.

Collin(de)

Mirror(ru)

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The Devil's Backbone(es)

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

The Sleeping Voice(es)

Finished the Spanish Civil War in April 1939, in November 1940, while Spain is being crushed by the ruthless boot of dictator Franco, Pepita travels from rural Córdoba to Madrid to be near her sister Hortensia, who is seven months pregnant and imprisoned, haunted by the shadow of a death sentence.

If They Tell You I Fell(es)

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Cardelinas(es)

August 1936. After being separated from her family by the Falangists, Concha Monrás spends her last days in a prison cell. With her young cellmate Adela, she reconstructs her relationship with Ramón Acín and remembers his life as an artist, a pedagogue and a man.