July Trip(2006)

Kidnapped(ar)

“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.

Beyrouth, Le Dialogue Des Ruines(en)

Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.

The Green Line(fr)

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

Wine and War(en)

WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.

Objects of War(fr)

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

West Beirut(ar)

In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.

So the Lovers Could Come Out Again(ar)

Perched in a tower high above Beirut where they monitor the world below through their sniper lenses, two soldiers in the Lebanese civil war find love in their watchful seclusion. The film sketches a humanistic portrayal of two men in love at war and the fragile and violent circumstances that allow them to stay together.

Perhaps Today...(ar)

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

Virgil Abloh: How To Be Both(en)

Film exploring the life of legendary designer Virgil Abloh. It tracks his spectacular ascent from Kanye West’s right-hand man to his role as artistic director of menswear at Louis Vuitton.

The Era of Giants(it)

Italian documentary illustrating the xylella virus devastation of the olive-growing flora in Apulia by the xylella virus. In Apulia, a region in south-eastern Italy, the most serious botanical pandemic of the century is underway: a quarantine bacterium, Xylella Fastidiosa, is killing millions of olive trees. Disrupting landscape, economy and human relations. The Era of Giants narrates Giuseppe’s journey to his father’s land, in the Plain of the Monumental Olive Trees, where the epidemic is imminent. He will have to explain to the old farmer how their lives will be disrupted by this invisible bacterium, hitherto unknown in Italy.

Monterrico Beach Meditation in Guatemala(en)

Watch the waves from above on Monterrico Beach in Guatemala while listening to ambient music from around the world.

24.60 Édition spéciale : Le Québec en deuil de Michel Côté(fr)

State Entry into Delhi of Lord Curzon, the Viceroy(en)

Film showing the Viceregal party entering Delhi on lavishly decorated elephants, as part of the Coronation durbar of 1903.

The Big Brass Ring(en)

George Hickenlooper filmed five pages (two scenes) from Orson Welles' screenplay of "The Big Brass Ring" in 1997 in the hope of attracting interest in the project. The feature film version was released in 1999.

Avenging Father(ja)

Hacking Justice(en)

Since he took on the case in 2012, defending Julian Assange has put judge Baltasar Garzón's talent and ability to the test. They've won a few battles, but nobody knows how the war will end.

Suppressed 2020: The Fight to Vote(en)

Deeply personal accounts from voters of color across the state of Georgia reveal deliberate, widespread voter suppression in the 2018 midterm election where Stacey Abrams fought to become the first Black female governor in the U.S. Polling place closures, voter purges, missing absentee ballots, extreme wait times and voter ID issues were in full effect again during the 2020 primaries and are on-going across the country right now, all disproportionately affecting Black Americans and minorities from casting their ballots. Now, amidst a global health crisis, the cruel weaponization of vote-by-mail restrictions has turned the constitutional right to vote into a choice between life and death.

Our King Emperor and Queen Empress Hold a Durbar in Delhi(en)

King George V and Queen Mary hold ceremonial court in Delhi.

Invisible Hand(en)

INVISIBLE HAND is a “paradigm shifting” documentary about the creation of ‘Rights of Nature.’ The defining battle of our times where nature, democracy and capitalism face off in rural America. From Executive Producer Mark Ruffalo comes INVISIBLE HAND, the world’s first documentary film on the Rights of Nature Movement. A “paradigm shifting” story about the fate of capitalism and democracy where we find out "Who speaks for Nature?"

Stille Sommer(de)

Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.